Philosophy of the Performing Arts , First Edition. David Davies.
© 2011 David Davies. Published 2011 by Blackwell Publishing Ltd.Index
Acconci, V. 201, 206, 208
Conversions I, II, and III 214
Following Piece 8, 9, 18, 203, 205,
207, 213, 214–15
Alperson, P. 102n6, 151, 152–4, 158,
170n5
on jazz improvisations as artworks
139–41, 142, 146–7, 160–1
Alÿs, F.
The Green Line 216
Patriotic Tales 216–17
Anderson, J. 132n15
Anderson, L. 201, 207
Arbus, D. 43
Archer, K., and Hodgson, M. 127
Aristotle
Poetics 183–5, 186, 187, 188
Artaud, A. 113, 115, 208
artistic performance
aesthetic theories of 10–13
and artistic regard 14–17
institutional theories of 7–10
two kinds of 18–19
artistic regard
and Levinson’s historical definition
of art 17
nature of 14–16
and performance-works as
artworks 142
Ashcroft, P. 117
audience
response of, to theatrical
performance 181–9
role in defining theatrical
performance 172–81
Austen, J.
Pride and Prejudice 26
authenticity
and dance reconstruction 127–8
historical, in the arts 72–3
historical, three notions of see
historical authenticity
kinds of, in musical
performance 73–4
personal 74, 83–5
in theatrical performance 107–12,
169
Bach, J. S. 151, 152, 153
Goldberg Variations 91
The Musical Offering 158–9, 160–1,
162, 165, 170n8
Balanchine, G.
production of The Nutcracker 121,
123
Banes, S. 199n11
see also Carroll, N., and Banes, S.
Barney, M. 208
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