Philosophy of the Performing Arts

index 227
Bartok, B.
First String Quartet 55–6
Baryshnikov, M.
production of The Nutcracker 123
Baugh, B. 86n4, 86n11
Baxandall, M. 49n22
Beardsley, M. 4
on dance performance 10–12, 13,
14, 21n4, 21n5
Beatles, The 97
“All You Need Is Love” 97
“A Day In the Life” 98
“With a Little Help from My Friends” 99
Beethoven, L. v. 37, 151
First Symphony 79, 81, 83
Hammerklavier Sonata 34, 48n13
Bell, C. 47n1
Beuys, J. 201, 206
Coyote 204, 205, 206, 209
Borges, J. L.
“Pierre Menard, author of the
Quixote ” 64
Bourne, M.
production of Swan Lake 124
Bowers, F. 165
Brahms, J.
Hungarian Dances 96
Second Piano Sonata 37
Sextet in G major 96
Brecht, B. 113, 183
epic conception of theater 185–7,
188–9
Brook, P.
production of King Lear 106, 113,
121, 131n3, 144, 147
Brown, L. B. 162–4, 170n9, 170n10,
170n11
Brown, T.
Roof Piece 174, 180
Budd, H.
“Gypsy Violins” 124
Burden, C. 206
Shoot 204, 209
Trans-Fixed 204, 209
Burgess, J. 50n37
Cage, J. 174, 208
4 ́ 33 ̋ 21n5, 202, 205, 206, 213,
215–16, 218n14
Concert for Piano and Orchestra, Solo for
Piano 89
Caplan, B., and Matheson, C. 41,
50n27, 50n30
Cardiff, J. 203
Carroll, N. 48n4, 48n5, 105, 115,
121, 132n10, 132n14, 199n7
on the nature of performance
art 207, 208–9
Carroll, N., and Banes, S.
on dance performance 12–13, 15,
16, 18, 120
Cervantes, M.
Don Quixote 64
Chopin, F. 138, 143
Citizen Kane 26
classical paradigm
applicability to classical music
pre-1800 91–4
applicability to dance 120–8
applicability to jazz 95, 155–7
applicability to non-Western
music 101–2
applicability to rock 95–101
applicability to theater 105–20,
164–70
defined 24
Cochrane, R. 153, 170n7
Cocker, J. 99
Cohen, S. J. 124
Coltrane, J.
“My Favorite Things” 96, 136,
155, 161
Conroy, R. 125, 128, 132n13,
132n17
Cunningham, M. 125
Currie, G. 21n6, 39, 49n18, 49n22,
199n21
Da Fonseca-Wollheim, C. 140,
142, 148n1
Danto, A. 21n6, 49n18, 49n19, 174
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