Philosophy of the Performing Arts

index 229
Goodman, N. 48n7, 173, 175
on forgery 59, 63–4, 66
on the role of the score in
individuating musical
works 58–65, 68n12, 68n14,
68n15, 68n16, 71, 89, 125, 159
on symptoms of the aesthetic 21n8
Gould, C. S., and Keaton, K. 151–4
Gould, G. 144
Gracyk, T. 96, 162, 170n9
on rock works as
recordings 96–100, 101
Graham, M. 126, 127, 189, 190
Greenberg, C. 208
Greene, G.
The Heart of the Matter 129
Grotowski, J. 113, 115
production of The Constant
Prince 114, 119
production of The Tragical History of
Doctor Faustus 113
Hai Rong Tian Tian 206–7
Hamilton, A. 148n3, 170n1
Hamilton, J. 113, 155, 165, 166, 167, 189
on attention 182
on “audience practice” in
theater 180–1
on the ingredients model of
theatrical performance 114–19,
128, 131n7, 148, 210
Harrell, L. 152, 153–4
Hatoum, M.
The Negotiating Table 204, 205,
206, 209
Haydn, J. 81, 152
Hegel, G. 196
Heifetz, J. 96
historical authenticity
defined in terms of composer’s
intentions 75–7
defined in terms of performance
practice 80–3
defined in terms of sound
sequence 77–80
Ibsen, H.
Hedda Gabler 115–17, 118, 155–6
improvisation
in classical music 93, 151–2
as composition 158–60, 164–5,
171n20
in jazz 94–5, 136
pure 160
and recording 162–4
and spontaneity 150–4
on a theme 155–7
ingredients model of
performance 102n4, 114–19,
164–70
see also Hamilton, J.
institutional theory of art see artistic
performance
Jacobs, J. 88
Jarrett, K.
The Köln Concert 135–43, 148n4,
154, 156, 160, 161, 200, 205
Kalderon, M. 50n37
Kania, A. 21n5, 67n2, 95, 131n6,
170n8, 170n13, 218n14
on fictionalism 46, 50n32, 50n38,
50n40
on rock works as tracks 97,
100–1
Kaplan, D. 50n28
Kaprow, A. 207
Kenyon, N. 86n4
Kingsmen, The
“Louie Louie” 162
Kivy, P. 48n11, 90
on authenticity in musical
performance 74, 76–7, 78–81,
82, 83–4, 86n4, 86n5, 86n6,
86n7, 86n9, 87, 88
on Goehr on the “work concept” 93
on improvisational
composition 158–9, 160, 165
on the novel as performable
work 129–31
Davies_bindex.indd 229Davies_bindex.indd 229 1/31/2011 4:18:52 PM 1 / 31 / 2011 4 : 18 : 52 PM