230 index
Kivy, P. ( cont’d )
on performance-works as
artworks 139, 143
on work-performances as
artworks 143–4, 145
Kozel, S. 199n11
Led Zeppelin 97
Leonardo da Vinci 73
Mona Lisa 59, 64
Leppard, R. 76, 86n4
Levinson, J. 21n6, 49n15, 67n3
on authentic performance and
expression 70n19, 82–3,
178, 190
and contextualism 36–7, 60
historical definition of art and
artistic regard 17
and instrumentalism 33, 34, 90,
48n12
on musical works as indicated
types 38–40, 43, 44, 49n14,
49n25, 53, 66, 68n13, 211
LeWitt, S.
Wall Drawing No. 623 202, 203, 210
wall drawings 210–12
Linker, K. 217n7
Lippard, L. 203
Mackie, J. 50n33
Mark, T. C. 143–4, 147
Marlowe, C. 113
Martin, G. 97
Massine, L. 127
Matravers, D. 67n3
McFee, G. 121, 131n10, 132n11,
132n12
thesis of notationality applied to
dance 122–4, 125–7
medium
physical and artistic 11, 123
Merleau-Ponty, M. 191–2, 193, 194,
199n12, 199n13
methodology in the ontology of art 58
Milton, J. 173
Minton, S. 191
mirror-neurons 193–4, 196–8
Monk, T.
“Straight, No Chaser” 155
Montero, B. 195–8
Motikiyo, Z. 194
Mozart, W. A. 81, 151, 152, 153
Divertimento in D 91
multiple art forms 48n3
defined 27
three kinds of 27–8
Naumann, B. 203, 205–6, 207, 212
Nijinsky, V. 127
Nyman, M. 217
Ono, Y. 203, 205–6, 207, 212
Osipovich, D.
on the constitutive role of the
audience in theater 178–80, 181
liveness model of theatrical
performance 119–20, 137, 179
Pepys, S. 167
performable works
as continuants 40–2
creatability of 34–6
defined 18
as fictions 44–7
as indicated types 38–40
as indicatings of types 42–4
multiple nature of 24–8
as norm-types 29–37; see also type
theories of performable works
as only perceivable
analogically 56–7
as sharing properties analogically
with their performances 55–6
performance
and the actual presence of an
audience 172–6, 178–81
distinguished from mere action 5–7
and the expected responses of an
audience 5–7, 176–8
see also artistic performance
Davies_bindex.indd 230Davies_bindex.indd 230 1/31/2011 4:18:52 PM 1 / 31 / 2011 4 : 18 : 52 PM
bozica vekic
(Bozica Vekic)
#1