index 231
performance art
nature of 206–9
performance-works
as artworks 137, 138–43
defined 19
performed art
defined 18
Pillow, K. 210–11
Plato 183
Pollock, J. 190, 208
Presley, E. 97
proprioception 194–5
as an aesthetic sense 195–6
Quine, W. v. O. 67n8
Raffman, D. 162
Rainer, Y. 209
Room Service 12–13, 14–16, 18,
21n5, 24, 110, 120, 126, 190
Rauschenberg, R. 202
recordings 160–4
rehearsal 164–8
Renoir, J.
La règle du jeu 30
Rizolatti, G., and Sinigaglia, C.
199n14
Rodin, A.
The Thinker 26
Rohrbaugh, G. 40–2
Rolling Stones, The 97
Beggars Banquet 102n3
“Sympathy for the Devil” 102n3
Rubidge, S. 86n4, 110, 126, 128,
131n2, 132n13, 132n16
Russell, B. 198n2
Salz, D. 119
Sarlòs, R. K. 107
Scarlatti, D. 92
Schaeffer, P. 98
Scruton, R. 32, 48n11
Sessions, R. 161–2
Shakespeare, W. 112, 113, 165
Hamlet 106, 109–10
King Lear 24, 34, 56, 57, 103–4,
105, 106, 108, 109–10, 111,
112, 169
Measure for Measure 111
Sheets-Johnstone, M. 199n12
Shusterman, R. 192, 193–4, 196–8,
199n12, 199n19
Sibelius, J. 58
Second Symphony 23–30 passim,
33, 34, 38, 43, 44, 49n25, 51–3,
55, 56, 57, 62, 88, 90
singular art forms 27
Smith, B. 96
Solomon, L. J. 217n4
Sparshott, F. 122–3, 126, 131n10, 141
Springsteen, B. 97
Born to Run 100
Stecker, R. 50n32
Stelarc 8, 9
Stern, T. 131n1, 131n4, 131n9,
165–8, 170n15, 170n16,
171n17
Stieglitz, A.
The Steerage 26, 73
Stoppard, T.
Jumpers 117, 131n5
Stravinsky, I.
The Rite of Spring 91
Tate, N. 109, 110
Taylor, G. 165
Tchaikovsky, P.
Swan Lake 56, 124
The Nutcracker 121, 123–4
Thacker, D. 110, 120
Thom, P. 20n2, 145, 148n5, 189
on the classical paradigm 89–90,
105
on the constitutive role of the
audience in performance 172–6,
177, 178, 180, 181, 198n3
on improvisational
composition 158–9
on performance-works as
artworks 138–9, 141–3
Davies_bindex.indd 231Davies_bindex.indd 231 1/31/2011 4:18:52 PM 1 / 31 / 2011 4 : 18 : 52 PM
bozica vekic
(Bozica Vekic)
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