232 index
Tudor, D. 202
Turner, M. J. 190–1
type theories of performable works
contextualism 36–7
instrumentalism 33–6
pure and timbral sonicism
distinguished 32
sonicism 32–3
Van Camp, J. 132n10
Vermeer, J.
View of Delft 22n11, 27
Vivaldi, A. 92
Walton, K. 215
Weston, E. 43
Wilson, R. 207, 208
Medea 10
Wollheim, R. 48n4
on artistic regard 14, 21n7
on multiple works as types 48n6,
54–5, 105, 115, 121
Wolterstorff, N. 28, 30, 48n4, 48n8,
49n15, 49n23, 159
on analogical predication 55–6
on requirements for work-
performance 71–2, 89
Woodruff, P.
on audience response 182–3,
186–9, 199n4
on authenticity in theatrical
performance 108–10
on Brecht 185, 186–9, 199n8
on the constitutive role of the
audience in theater 172, 173
work-instance
defined 26–7
distinguished from performance 31,
65–6, 68n13
work-performances
as artworks 84, 143–8
defined 18
Yeats, W. B. 189, 190
Young, J. 78–80, 83, 86n4, 86n6
Young, J., and Matheson, C. 170n3
Young, L. M.
Compositions 1960 89, 202, 205–6,
207, 212, 213–14
Drift Study 178
Davies_bindex.indd 232Davies_bindex.indd 232 1/31/2011 4:18:52 PM 1 / 31 / 2011 4 : 18 : 52 PM
bozica vekic
(Bozica Vekic)
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