Classic Arts and Crafts Furniture 14 Timeless Designs-2

(Bozica Vekic) #1

TABL ES & C HAIRSTABLES & CHAIRS^113737


Don’t throw that away. The offcuts from tapering the upper rails are taped
b ac k in place t o ke e p t h e c lam p s f r om slid in g d u r in g as s e m b l y.

Only if you have to. Because the lower end of the vertical slats are angled, they
only fi t in one place. They can be adjusted with a tap or two.

Control the glue goo. Start the through-tenon in the mortise before brush-
ing on the glue to keep the end of the tenon clean.

Stress management. With the sides glued into units, the last stage of the
base assembly is a simple matter.

tion of the slats.


I let that dry in the clamps overnight, and glued the legs to


each end of the rail assemblies the following morning. To keep


glue from going everywhere around the through-mortises,


I started the tenons in the holes, then brushed glue on the


cheeks before assembling and clamping the joints.


After letting the rail-to-leg joints dry overnight, I marked


and drilled a^5 ⁄ 8 "-diameter hole 1^3 ⁄ 8 " deep on the inside of


each of the back legs. I then connected the two side assem-


blies with the front and back rails. This assembly was also left


in the clamps overnight.


The arms complete the side assemblies, and are cut from


a piece of 1^5 ⁄ 16 " x 5^3 ⁄ 8 " stock. I started with a piece several


inches longer than the finished length to get the angle of the


bend and the tenon locations right first. Before making the


arm, I made sure that the top edges of the top rails were in


line with the shoulders on the tops of the legs.


I placed the stock of an adjustable bevel on the shoulder of


the front leg, and set the blade to the slope of the rail. I trans-


ferred this angle to the edge of the arm. The bend is actually


a tapered slice cut from the top of the leg, then glued to the


bottom edge.


After making the cut on the band saw, I glued the wedge


to the bottom of the arm. This leaves the sawn edges exposed


on the top and bottom surfaces of the arm, and the previously


surfaced faces glued together. I removed the saw marks with


my plane.


Location, Location, Location


The through-mortises on the arms are the most visible joints


in the chair, and there aren’t any magic tricks or shortcuts to


the process. The mortises need to be just right, and in just the


right place. I fl ipped the assembled base of the chair on its


side so I could locate the joints in each arm directly from the


tenons.


I placed the arm on top of the tenons in the legs, lining up the


angle in the arm with the angle in the top rail behind the front leg.


With a square I carried the edges of the tenon around both the top


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