Classic Arts and Crafts Furniture 14 Timeless Designs-2

(Bozica Vekic) #1

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says, "and I’m not afraid to try things I haven’t done before."


Ipekjian has spent so much time working with original


pieces and drawings that he has become adept at interpret-


ing the original drawings of Charles Greene. Pointing to one


drawing he remarks, "That’s his representation of a cloud; you


can see it in other pieces."


On the day of my visit, Ipekjian was working on a custom


table that had been drawn by Greene, but never constructed.


Working from a copy of an original sketch, he was carving


details in the legs. "I’m not very good at predicting how long


it will take to do something. For this table, I fi gured the four


legs would take a day, but it’s taking me a day to do each one.


This isn’t production work; each piece is a little different," he


explains.


When the Blacker house was built, there was a music cabi-


net in the living room that the current owners wanted repro-


duced. Original drawings existed, but didn’t show the details


of the exteriors of the upper doors – and the whereabouts of


the original was unknown. Ipekjian made his best guess, and


constructed the piece. "Unfortunately," he says matter-of-


factly, "a photo of the original surfaced shortly after I had this


completed, and my guess was wrong. So I get to make a new


pair of doors."


Getting the details exactly right has been a key element


to his success, and the original pieces contained an incred-


ible amount of intricate details that aren’t readily apparent.


"There’s a subtlety to this furniture that you really can’t get


unless you’ve seen a lot of it up close," Ipekjian says.


His curiosity goes well beyond solving technical problems.


Discussing the mechanism of a drop-front desk, Ipekjian ques-


tions where the details came from: "Did the customer ask for


this, or even notice it? It could have come from the guy who


made it, or Henry (Greene) may have had it all drawn out."


Ipekjian can’t keep from talking about the details – how


something is put together, what lies behind the detail, and


what that detail does for the entire piece. He likely knows


Accurate reproductions in a corner of the shop near the entrance serve as Ipekjian’s showroom.

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