Classic Arts and Crafts Furniture 14 Timeless Designs-2

(Bozica Vekic) #1

CASEWORK CASEWORK 3333


the stiles, others have a refl ection of the center stile joints,


and some are made as shown above with the miter going back


to the edge of the rabbet that holds the glass. I didn’t like the


way a full miter would encroach on the tenon, and I thought


the butted shoulders looked too plain.


In an earlier blog post I wrote about making a practice joint,


and I used the strategy I came up with; cutting the miter lines


with a backsaw, using a router and jig to create a fl at area


within the cutout, and fi nally cleaning up the corners with


a chisel. The center door stile became more and more valu-


able as I cut and fi t each joint, there are a lot of hours in that


skinny piece of wood.


This is one of the joints ready to be glued, it looks a lot


simpler when it’s together, but the lap joints keep the pieces


from sliding around and the shoulders behind make it strong


structurally, even though it is end grain butting against long


grain. There really isn’t room in there for anything else. It took


a boatload of clamps to hold it all together, but the glue up


wasn’t that bad and the completed door is pretty strong. As


my boss put it "you’d have to shove somebody’s head right


into it to bust it."


And here is the door after a night in the clamps, as I clean up


the surfaces. I’m working on the cabinet now, but it feels like


coasting even though there are eight through mortises in the


carcase. So far, everyone who has seen this door has had the


same two stage reaction, myself included. Part one is "wow


that must have been a lot of work". Part two is "but it looks


incredibly cool". That makes it all worthwhile.


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