The Times - UK (2020-10-15)

(Antfer) #1

24 2GR KM Thursday October 15 2020 | the times


Comment


F

ive years ago I wrote a
report for the Centre for
Social Justice about the

scourge of modern slavery. I
argued that human slavery
and trafficking were a bigger
problem than a lot of people realised,
and that the state needed to take it
more seriously, not least to make
sure that law-enforcement agencies
and others were sufficiently aware of
the problem. I wrote that they
“should pursue more proactive
investigations into modern slavery
crime”. I’m proud that the cause was
taken up by Theresa May, first as
home secretary and later as prime
minister. As a result of her
determination, awareness of modern
slavery is much greater today, and
many of the vulnerable people who
would previously have become its

victims are now living lives of
freedom and dignity.
We called it modern slavery to
concentrate people’s minds and to

make it a more tangible thing than
human trafficking which, we felt,
failed to convey fully the exploitation
involved in this cruel trade. It also
helped to build massive cross-party
support for the 2015 Modern Slavery
Act, which gave police and the courts
tougher powers to go after slave

gangmasters and seize their assets,
and established an anti-slavery
commissioner to shine a light on this
long-neglected area of crime.
A report by the Independent
Commission for Aid Impact, which
scrutinises the effectiveness of public
spending on aid, yesterday criticised
the term modern slavery, arguing
that it provoked a backlash among
countries with a history of
colonialism. The watchdog said that
Britain alienated nations that were
already tackling this problem and
that, as a result, the performance of
our £240 million-a-year effort was
“unsatisfactory”.
Perhaps in hindsight calling it
modern slavery was always going to

cause difficulties in cross-border and
international co-operation. The US
followed us by adopting the term but
the rest of Europe still refers to it as
“trafficking in people”. But while any
area of government spending can
come in for criticism, I stand by our
efforts to raise the profile of modern
slavery. By expending political capital
on it, we demonstrated that the only
way to change anything in this
barbaric trade is by having a serious,
multi-agency, and international
response. Critics should look beyond
terminology to hard facts.

Fiona Hill was an adviser to Theresa
May, 2010-2014, and joint chief of staff
at No 10, 2016-2017

The way to change


this barbaric trade is a


multi-agency approach


I’ve been left


up the Creek


without a


decent joke


Janice Turner Notebook


Covid lockdowns turn loneliness into a killer


The twin focus on virus deaths and the economy ignores the hidden strain on mental health


the reasons that anti-lockdowners
cite. A colleague of mine recently
returned from Stockholm. Like
others, she remarked on how much
more relaxed it felt over there
compared with Britain and how
strange it was to see people without
masks. But what struck me most is
that their quarantine period is much
shorter than those in force in the rest
of the world: seven days, and only if
you live with someone who has

tested positive. Partly this is
because people are less infectious

in the second week but it’s also
designed to limit the negative effects
of quarantine. Isolation is rightly
seen as something to be avoided as
much as possible.
Of course, it would help if we had
a better track-and-trace system. But
unlike in March, we now have a
better sense of the virus. We have the
Nightingale hospitals. It’s unlikely

that a “circuit-breaker” lockdown,
even if it were fully adhered to,
would be a one-off: it would come
and go, and people would ricochet
between isolation and brief moments
of semi-normality.
As trust in government continues
to diminish and as infection rates
climb, morale is going to fall further.
Loneliness, in turn, has long-term
health effects. And this time, spring
is not just around the corner.

Emma Hogan writes for The Economist


outbreaks, such as Sars or H1N1,
suggest that, in some cases, having
been quarantined leads to post-
traumatic stress symptoms.
Lockdown in the spring was not
traumatic for me. I did not lose my
job; I was not put on furlough. The
most vulnerable member of my
family, currently in palliative care,
was hospitalised twice yet,
miraculously, did not catch the virus.
I live by a large patch of greenery in

London which I could get out on
most days. But even so, as someone
who lives by myself, I found it
terribly hard at various points, as
the time since I’d seen my loved
ones or friends in person stretched
from days, to weeks, to months.
Their pixelated faces were a comfort
but no replacement for the real
thing.
If Boris Johnson capitulates to a
strict “circuit-breaker” lockdown, he
and his government need to
remember that people live in other
ways than just the standard family
unit. Much of the evidence suggests
that the main place for transmission
is households. People living alone are
much less likely to be vectors of the

disease. In the event of a second
lockdown they should be granted
much greater freedom because
of the increased strain on their
mental health.
New Zealand introduced support
bubbles for people who lived alone
from the beginning, not just after the
restrictions started to be loosened, as
we did in Britain. So far, the bubble
structure has remained part of the
government’s plans: it should stay
that way.
Second, look to Sweden but not for

I

t all feels drearily familiar. From
next Monday, in Italy, private

parties of more than ten people
are likely to be banned. Tougher
restrictions are being mooted
elsewhere. At home, the stand-off
between Boris Johnson and his
scientific advisers over a “circuit-
breaker” lockdown is eerily
reminiscent of March, when it was
still novel to see scientists on the
telly, when lavatory rolls were in
ample supply and before government
sloganeering descended into the
absurd postmodernism of: “Hands.
Face. Space.”
I’m not a complete lockdown
sceptic. You won’t find me suggesting
that my single friends join Toby
Young’s dating site “Love in a Covid
Climate” for those who won’t

snog anyone who thinks being
cautious over a novel virus might
be a good idea.
But when Chris Whitty said this
week that the approach to Covid-19
was about balancing two harms —
“a harm for society and the economy
on the one hand, and a harm for
health on the other hand” — I felt
something was missing in the debate
over a second national lockdown.
In the first phase of battling this
virus in the spring it was natural that
the emphasis was on saving lives

from Covid-19 at all costs. In the
second phase, however, we need to
be more open about the trade-offs.
Mental health, and in particular
loneliness, needs to be part of the
equation too.
On the face of it, it’s harder to
measure the impact of loneliness
than it is to watch the number of
Covid cases rise or the
unemployment rate tick up. Yet a
growing body of research suggests

that loneliness — and its flipside,
how many friends you have and the
quality of those friendships — affects
wellbeing and even our risk of dying.
Most humans need physical touch,
moments of tangible affection
that cannot be recreated through
Zoom. According to Robin Dunbar at
the University of Oxford, the positive
effects of friendship can even be
traced in female baboons: those who
have more grooming partners have

lower levels of the stress hormone
cortisol, more offspring and live
for longer.
Countless surveys have shown
what many of us know: that the
pandemic has already worsened
people’s mental health. Women and
working mothers are particularly
likely to say they are finding it hard
to stay positive. Young people,
between 18 and 24 years old, are also
more likely to say that they are
finding it tough.
Studies from earlier viral

Working mothers are


likely to say they find


it hard to stay positive


We should be proud


of our work to wipe


out modern slavery


Fiona Hill


W


hen Schitt’s Creek
won nine Emmys, I
thought: Fantastic!
Six whole series of
hilarity to watch
instead of going to bed after
Newsnight wanting to open a vein. So

I tried this tale of gazillionaires who
lose their fortune and end up with
their spoilt adult kids living in a
Hicksville motel.
I gave it a chance. I really did. But
the characters were cartoon rich
people: the mother screeching about
her Birkin bags, the gay son an
“OMG, this place doesn’t even have a
spa!” camp cliché. Every joke can be
seen lumbering across the hills from
many miles away: when the mayor
uses their motel bathroom, of course
he stinks it out.
What were the Emmy judges
thinking? Perhaps Covid lowered our
collective IQ and anything is better
than news full of nice northern
publicans weeping about sacking

their staff. That would explain Emily
in Paris, which in normal times
would require someone to trepan
your head and suck out your frontal
lobe. Now it’s the TV equivalent of
sucking your thumb.
“Skip series one,” said a Schitt-
loving friend. So I began series two.
The rich idiots are still screeching in
their motel! “It’s a grower,” said
another Schitter, “it gets really good
in series five.” It’s a lot of stony-faced
hours to suffer in pursuit of a
laugh. I fear I may live 1,000
years and still find Schitt’s
Creek the metropolitan Mrs
Brown’s Boys.

Ticket to queue


I’


ve felt lately that
there is a tipping
point at which
something you crave to do
becomes such a Covid
palaver you wish you hadn’t
bothered. A case in point
is the National Gallery
exhibition of the 17th-
century Italian artist
Artemisia Gentileschi,
which I’ve been looking
forward to all year.
First, you book a
time slot months
ahead. Next, you queue
outside — for us in the
pouring rain — well
beyond your allotted hour.

Then you swipe your barcode ticket
and are herded down to the horrible
dungeon gallery, where you queue to
swipe your barcode again.
(Attendants barking if you stand in the
wrong spot.)
Then you queue to enter the first
room. After that, I thought we’d be
free — albeit masked — to enjoy the
art. Except you had to
queue to be allowed
into every subsequent
room. When I retraced
my steps to find my
husband, I was barked
at again. The only
room you don’t queue
for is the gift shop,
which sold items like

overpriced renderings
of earrings worn by
Judith as she hacks off
Holofernes’s head.
Weighing pleasure
versus hassle, Artemisia
won, but only just.

The art of rage


A


lthough not a
great artist,
Artemisia is a
great story. Raped at
17 and tortured in a
court to prove she was
telling the truth
(these days she’d just
be trolled on social
media) her work

became an outlet for her rage against
men. Judith grips Holofernes’s hair
ruthlessly as she slices his throat. In
another painting, the Israelite wife
Jael swings a mallet to drive a tent
peg into the skull of sleeping Sisera.
Artemisia knew collectors got a
special thrill from a woman creating
such gruesome work. She painted
many ever-more-swaggering Judiths,
always accompanied by her maid
servant carrying Holofernes’s head in
a basket: like an Old Testament
Thelma & Louise.
I’m reminded how much of the
most bloody popular crime fiction is
now written by women like Val
McDermid, Sophie Hannah and Mo
Hayder, who I once interviewed and

whose scenes of elaborate torture I
could barely read. She said she
portrayed grotesque violence
unflinchingly “to face it down”.
Perhaps Artemisia did the same.

Sex and death


I


n Soho I came across tiny walk-in
shops containing vending
machines selling every pattern of
cloth facemask. Previously these
dark kiosks sold porn, erotic aids and
condoms. You have to marvel at the
amazing shapeshifting genius of
capitalism: where once sex drove
sales, it’s now death.

@victoriapeckham


It seems unlikely that


any ‘circuit-breaker’


would be a one-off


Emma


Hogan


@hoganem

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