platform.    Both    Cieza   and     Molina  describe    the     Inca    ruler   and     lesser  lords
presiding    over    ceremonies  from    the     tops    of ushnu    platforms   such    as  the     one
found   in  Vilcashuaman.   Betanzos    describes   the ushnu   as  a   place   where   common
people  could   pray    and make    offerings,  and where   libations   were    poured. Molina,
describing   the    Citua    ritual,     notes   that    the    ushnu    was     the     gathering   point   for
squadrons   of  soldiers    running in  the direction   of  the empire’s    four    suyus,  and
where   the ayllus and  panacas (descent    groups) of  Cuzco’s Incas   gathered    in  the
Aucaypata    along   with    the     ancestral   mummies     and     mummies     of  former  Inca
rulers  and their   attendants.
Ushnus  were    certainly   important   stages  for Inca    ritual  performance.    Whether
every   ushnu   had a   similar cultural    role    remains to  be  proven.
Further Reading
Albornoz,   C.  de. “La Instrucción para    descubrir   todas   las guacas  del Pirú    y   sus camayos y   haziendas.” In  P.
Duviols,    “Albornóz   y   el  espacio ritual  andino  prehispánico.”  Revista Andina  2,  no. 1:  169–222,    1984
[1570–1584].
Anónimo.    Relación     de  las     Costumbres  Antiguas    de  los     Naturales   del     Peru.   In Biblioteca   de  Autores
Españoles.  Vol.    209,    Crónicas    Peruanas    de  Interés Indigena.   Madrid: Atlas,  1968    [1580–1621].
Betanzos,   Juan    de. Narrative   of  the Incas.  Translated  and edited  by  Roland  Hamilton    and Dana    Buchanan.
Austin: University  of  Texas   Press,  1996    [1551–1557].
Cieza   de  Leon,   Pedro   de. The Travels of  Pedro   de  Cieza   de  León,   A.D.    1532–50,    Contained   in  the First   Part
of  His Chronicle   of  Peru.   Translated  and edited  by  Clements    R.  Markham.    Works   Issued  by  the Hakluyt
Society,    no. 33. London: Printed for the Hakluyt Society,    1864.   Reissued,   New York:   Burt    Franklin,   1964
[1553].
———.    The  Second  Part    of  the     Chronicle   of  Peru.   Translated  and     edited  by  Clements    R.  Markham.
Oxford: Hakluyt Society,    1883    [1554].
Coben,  L.  “Other  Cuzcos: Replicated  Theaters    of  Inka    Power.” In  Archaeology of  Performance:    Theater,
Power   and Community,  edited  by  T.  Inomata and L.  Coben.  Lanham, MD: AltaMira    Press,  2006.
———.    “Theaters   of  Power:  Inca    Imperial    Performance.” PhD   diss.,  University  of  Pennsylvania,   2012.
———.    “If All the World’s a   Stage   Then    What’s  an  Ushnu?” In  Inca    Sacred  Space:  Landscape,  Site    and
Symbol  in  the Andes,  edited  by  F.  Meddens,    K.  Willis, C.  McEwan, and N.  Branch. London: Archetype
Publications,    2014.
Cobo,   Bernabé.    History of  the Inca    Empire: An  Account of  the Indian’s    Customs and Their   Origin, Together
with     a   Treatise    on  Inca    Legends,    History,    and     Social  Institutions.   Translated  and     edited  by  Roland
Hamilton.   Austin: University  of  Texas   Press,  1979    [1653].
———.    Inca    Religion    and Customs.     Translated  and     edited  by  Roland  Hamilton.   Austin:     University  of
Texas   Press.  1990    [1653].
Garcilaso   de  la  Vega,   El  Inca.   Royal   Commentaries    of  the Incas   and General History of  Peru.   Translated  by
Harold  V.  Livermore.  Austin: University  of  Texas   Press,  1987    [1609].
Hyslop, John.   Inka    Settlement  Planning.   Austin: University  of  Texas   Press,  1990.
Meddens,    F.  “Function   and Meaning of  the Usnu    in  Late    Horizon Peru.”  Tawantinsuyu    3:1–14, 1997.
Meddens,    F., N.  Branch, C.  Vivanco Pomacanchari,   N.  Riddiford,  and R.  Kemp.   “High   Altitude    Ushnu
Platforms   in  the Department  of  Ayacucho    Peru,   Structure,  Ancestors   and Animating   Essence.”   In  Pre-
Columbian   Landscapes  of  Creation    and Origin, edited  by  John    E.  Staller,    315–55. New York:   Springer,
2010.