New York Post - USA (2020-11-15)

(Antfer) #1

New York Post, Sunday, November 15, 2020


nypost.com


“Hosting one of these


events after all New


York has been through


is obnoxious and


irresponsible


— not to


mention


illegal.”


— Gov. Cuomo, after it was
revealed that a Long Island
wedding was responsible for
30 coronavirus infections

his young wife and children as he
shamelessly cavorts with a mistress
and pouts and shouts with abandon.
To millions of viewers, Britain’s next
king suddenly looks less like a nice
boy trying to please his mummy and
more like Henry VIII.
It’s quite a change. Up until now
“The Crown” has been a hugely enter-
taining propaganda machine for the
royal family. Icy Queen Elizabeth II has
been portrayed as a saint committed
to a lifetime of duty for the betterment
of her country, while her husband,

Prince Philip, and sister, Princess Marga-
ret, feel sidelined and search for
greater purpose. Conclusion: The
Windsors, they’re just like us!
“The Crown” creator Peter Mor-
gan has been on the pro-royal train
for awhile now. In 2006, he wrote
“The Queen,” an Oscar-winning
film starring Helen Mirren about
Diana’s untimely death in a 1997 car
crash, and the takeaway from that
tragedy was, “Isn’t Queen Elizabeth
wonderful?”
But no one will be singing Charles’

praises next week. Diana, played by
Emma Corrin, is the sympathetic
one now.
The series details how, on the eve
of his 1981 wedding to Di, the 32-
year-old Charles bought his mis-
tress, Camilla Parker Bowles, a
bracelet engraved with the initials
of their nicknames, Fred and Gladys.
It shows a 20-year-old Diana locking
herself inside her Kensington Palace
bedroom for hours to avoid her un-
feeling new family’s scrutiny. We
witness her vomiting in the toilet

due to her bulimia, and see her drop
a beaming smile the second she
leaves an event to join her loveless
husband in a car.
None of this is breaking news. But
“The Crown” — with its lush cine-
matography and Oscar-winning
stars — is more convincing than a
history book, and viewers are ab-
sorbing the episodes like gospel,
whether true or not. (“Beneath its
enticing veneer, much of it is, in
modern parlance, fake news,” wrote
Alastair Bruce in the Spectator. But
“those falsehoods will be accepted
by many millions of people around
the world as truths.”)
As we watch the couple’s romance
disintegrate in horrifying detail, we
pick a side — Diana’s.
For Charles this is a very real cri-
sis. The UK’s Sun recently reported
that Queen Elizabeth intends to step
down next year at age 95 and hand
the reins to her son. While Bucking-
ham Palace has denied this, the bio-
logical fact is that Charles has never
been closer to his destiny. And now,
just as he’s on the precipice of
clinching the throne during his first
proper period of popularity, it’s be-
ing sullied by a streaming service.
This downturn could unleash a
popular old idea: Skip Charles and
give the top job to Prince William.
The notion had so much momentum
after Wills’ marriage to Kate Middle-
ton in 2011, BBC News wrote an ex-
plainer on whether or not it could
happen. (Answer: Sort of.)
Chatter about Charles being
passed over has recently dulled, but
now with the royals embroiled in
controversy — from Prince An-
drew’s connections to Jeffrey Ep-
stein to Harry and Meghan relin-
quishing most duties — more bad
press is the last thing the queen
needs. If “The Crown” leads to an
outpouring of anti-Charles senti-
ment, perhaps she will start giving
renewed thought to the idea of a
King William.
Or at least until “The Crown” cov-
ers the war between Will and Harry
in 2025.

Johnny Oleksinski is the New York Post’s
entertainment critic.

L


asT season on Netflix’s
“The Crown,” Prince
Charles had a watershed
moment.
To earn his eventual title as
Prince of Wales, the 20-year-old
showed a progressive and collabora-
tive attitude toward the small coun-
try by giving a rousing speech in the
ancient language of Welsh. Playing
the prince, actor Josh O’Connor was
heartfelt and lovable. Many viewers,
previously unaware of the historical
event, left with a rare feeling:
Charles rocks!
In recent years, the poor old guy
has needed a bit of love. In 2012, a
Guardian poll found that just 39 per-
cent of Britons wanted the monar-
chy’s longest-serving heir apparent,
now 71, to ascend to the throne, with
48 percent preferring to see the
crown pass to his son William. But
the passage of time, his endearing
new role as grandpa to Will and
Kate’s kids (Harry’s son Archie lives
in LA), and, yes, shows like “The
Crown” have softened his crusty im-
age. A recent YouGov survey gave
Charles a comparatively chipper 59
percent popularity rating.
This weekend, all that goodwill
goes up in flames. Season 4 of “The
Crown,” which debuts Sunday, de-
picts Charles’ rocky marriage to the
late Princess Diana from their first
meeting in 1977 until two years be-
fore their split in 1992. And, unlike
Di, the plot isn’t pretty.
Whereas Season 3 presented the
prince as a forward-thinking, sensi-
tive and attractive option for a sov-
ereign, these latest episodes portray
a prince (again played by O’Connor)
as sinister and scowling, living in a
man-cave mansion miles away from

jOHNNY
OlekSINSkI

POSTSCRIPT Culture Club


His Royal


Lowness


Season 4 of ‘The Crown’ could turn


Prince Charles’ subjects against him


Prince Charles is revealed
warts and all in “The Crown”
— portrayed here by Josh
O’Connor, opposite Emma
Corrin’s Princess Diana.

Netflix

Chatter


“There will be a smooth transition


to a second Trump administration.”


— Secretary of State Mike Pompeo, seeming to ignore the election results

“When Democratic leaders... [show] off


two sub-zero freezers full of ice cream on


national television... while Trump tells


voters we are the party of the swamp,


it is not surprising that we lose.”


— A post-mortem election letter from progressive groups knocking Nancy
Pelosi for a stunt that may have cost her Democratic seats in the House

eleCTION DISSeCTION


“An


embarrassment.”


— President-
elect Biden,
on President
Trump’s
refusal to
concede the
election
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