The New York Times - USA (2020-11-15)

(Antfer) #1

16 N THE NEW YORK TIMES INTERNATIONALSUNDAY, NOVEMBER 15, 2020


Lhamo, a Tibetan farmer in
southwestern China, lived her life
mostly outdoors and shared it on-
line, posting videos of herself
cooking, singing and picking
herbs in the mountains around
her village. By this fall, she had
about 200,000 followers, many of
whom praised her as cheerful and
hardworking.
Over 400 of them were watch-
ing one evening in mid-September
as Ms. Lhamo, 30, streamed a vid-
eo live from her kitchen on
Douyin, the Chinese version of the
TikTok app. Suddenly, a man
stormed in and Ms. Lhamo
screamed. Then the screen went
dark.
When Ms. Lhamo’s sister
Dolma arrived at the hospital a
few hours later, she found Ms.
Lhamo struggling to breathe, her
body covered with burns. The po-
lice in Jinchuan County, where she
lived, are investigating Ms.
Lhamo’s ex-husband on suspicion
that he doused her with gasoline
and set her on fire.
“She looked like a piece of char-
coal,” said Ms. Dolma, who, along
with her sister and many other Ti-
betans, goes by one name. “He
burned almost all her skin off.”
Ms. Lhamo died two weeks lat-
er.
Her case, one of several that
have gained national attention
this year, reflects the shortcom-
ings of China’s legal system in pro-
tecting women from domestic vio-
lence — even when they repeat-
edly seek help, as Ms. Lhamo did.
Public outrage has helped some
get justice, including a woman in
Henan Province who was denied a
divorce until she posted video evi-
dence of her abuse. But for many
women like Ms. Lhamo it comes
too late.
In July, a man in the eastern city
of Hangzhou was arrested on sus-
picion of murdering his wife after
her dismembered remains were
found in a communal septic tank.
Late last month, video footage
went viral that appeared to show a
man in Shanxi Province beating
his wife to death in front of by-
standers.
More than 900 women have
died at the hands of their hus-
bands or partners since China’s
law against domestic violence
was enacted in 2016, according to
Beijing Equality, a women’s rights
group.
The domestic violence law
promised police investigations
and easier access to restraining
orders, but enforcement is spotty
and punishments are light in a so-
ciety that stigmatizes divorce and
pressures victims of abuse to keep
silent. Activists say many police
officers are not properly trained to
handle domestic violence cases.
In the countryside, where Ms.
Lhamo was from, victims often
lack social support networks and
are less educated about their
rights.
Just one day after Ms. Lhamo’s
death, Xi Jinping, China’s top
leader, told a U.N. conference on
women that the “protection of
women’s rights and interests
must become a national commit-
ment.”
The Chinese internet seized on
the speech. And soon, people were
calling for stronger enforcement
of the domestic violence law using
the hashtag #LhamoAct. Within a
day, the hashtag had been cen-
sored on Weibo, one of China’s
most popular social media plat-
forms. Other hashtags con-
demned the failure of the police to
prevent Ms. Lhamo’s murder, in-
cluding #StopNotActing and
#PunishNotActing.
Wan Miaoyan, a women’s rights
lawyer in Chengdu, the capital of
Sichuan Province, said she hoped
the backlash from Ms. Lhamo’s
case would result in better en-
forcement of the law.
“But why does it take a tragedy

and a victim to sacrifice herself in
such a bloody way before we make
progress on law enforcement?”
she said.
Ms. Lhamo was from a remote
village in the region of Aba, called
Ngaba by Tibetans. Born into pov-
erty, she made a living picking
herbs in the mountains. As a child,
she was kind and optimistic, her
sister said. When Ms. Lhamo was
18, she met a man named Tang Lu
from a nearby village. Before long
they were married, and Ms.
Lhamo moved in with his family
and gave birth to two boys, who
are now 3 and 12.
Ms. Dolma said she had seen
bruises on her sister’s face and
body many times over the years.
Ms. Lhamo often fled to their fa-
ther’s house to recover from her
injuries, which Ms. Dolma said in-
cluded a dislocated elbow.
Mr. Tang did not respond to
multiple messages on his Douyin
account asking for comment. Ms.
Dolma said she did not have
phone numbers for him or his rela-
tives.
Ms. Lhamo divorced Mr. Tang
in March. But he immediately
pushed her to remarry, Ms. Dolma
said, threatening to kill their chil-
dren if she refused. Ms. Lhamo
called the police twice but they ig-
nored her pleas for help, her sister
said. The couple remarried.
Two weeks later, when Ms.
Lhamo went to the police again af-

ter Mr. Tang tried to hurt her and
Ms. Dolma, the authorities said
that since she had chosen to re-
marry him, “this is your personal
family matter.” The officer said
there was nothing they could do,
according to Ms. Dolma.
The Jinchuan County police de-
partment did not respond to a re-
quest for comment.
In May, Ms. Dolma said, Mr.
Tang tried to choke Ms. Lhamo
and threatened her with a knife.
She sought help from the local
chapter of the All-China Women’s
Federation, the government
agency in charge of protecting
women’s rights. Ms. Dolma said
her sister cried later as she re-
counted when an official dis-
missed her injuries, saying other
women were worse off.
An employee at the Jinchuan
County Women’s Federation con-
firmed that Ms. Lhamo had vis-
ited the office and said there was
an investigation underway.
Ms. Lhamo refused to give up,
Ms. Dolma said. She filed for di-
vorce again and hid with relatives
as she waited for court approval.
In early June, Mr. Tang went
looking for Ms. Lhamo at Ms. Dol-
ma’s house. When Ms. Dolma
wouldn’t tell him where her sister
was, he hit her in the left eye. Ms.
Dolma was hospitalized for al-
most two weeks for bone frac-
tures, according to a copy of the
medical report viewed by The
New York Times. She said she re-
ported the incident to the police
but they only briefly questioned
Mr. Tang and let him go.
A court granted the couple’s
second divorce a few weeks later,
awarding Mr. Tang full custody of
their two sons. Ms. Lhamo spent
most of the summer deep in the
mountains picking herbs. On Sept.
12, two days before the attack that
would kill her, she posted a video
saying she was coming home.
Mr. Tang, who was also severely
burned, is being investigated on
suspicion of homicide. That is cold
comfort for Ms. Dolma.
“It’s too late to talk about these
things now,” she said. “If they had
taken it seriously at that time and
disciplined or punished him, we
wouldn’t be in this situation to-
day.”

Fatal Domestic Attack


Livestreamed in China


Farmer’s Murder Sparks Public Outrage


By ELSIE CHEN

Lhamo, top center, with her
sister, Dolma, and their father,
Sonam Kyab. Dolma scattered
her sister’s ashes in a river near
to where Lhamo lived, above.

PHOTOGRAPHS VIA DOLMA

ROME — The post on the Rome
mayor’s Facebook page was tri-
umphant: The police had tracked
down a man “once considered un-
catchable,” she said in announcing
that after a yearlong investiga-
tion, the authorities had discov-
ered the real identity of the elusive
graffiti painter known only as
Geco.
For years, Geco’s moniker in
blocky letters has marked count-
less Roman subway stations and
bridges, abandoned buildings and
schools, parks and galleries.
Stickers with his name have been
affixed to innumerable street
signs, lamp posts and news
stands.
“He has soiled hundreds of
walls and buildings in Rome and
other European cities, which had
to be cleaned using public funds,”
the mayor, Virginia Raggi, wrote
on social media. She posted a
photo of “hundreds of spray paint
cans, thousands of stickers,” and
other tricks of the trade that she
said investigators had confiscated
from the apartment of Rome’s
most-wanted graffiti painter.
The city authorities did not dis-
close his real name. But Italian
news outlets identified him, with-
out saying how they had obtained
his name. And they gave few per-
sonal details about the man, who
is thought to be in his late 20s and
originally from Rome. His lawyer
would not confirm his real name.
Geco is not nearly as well-
known as Banksy, the world’s
most famous artist-provocateur,
whose real identity remains a se-
cret. But he had made a name for
himself in Rome, where his tags
seemed to be everywhere, while
his true identity was a secret.
Paulo von Vacano, a publisher
and expert in contemporary ur-
ban art, said tagging “is some-
thing brutal, archaic,” adding:
“You tag your name to show that
you are king of the street. In the
context of what he did, he did it
very well.”
Geco fueled his fame by tagging
a perilously tall railway tower and
by climbing to the roof of a munici-
pal food market to leave an unusu-
ally verbose message: “Geco ti
mette le ali,” or ‘Geco gives you
wings.”
While most Romans would con-
cur that the Italian capital could
use a good cleanup, including its
graffiti, many grumbled that the
city — and the mayor — had much
bigger problems to contend with,
from the ever-present scourge of
potholes to infrequent garbage
collection, not to mention the eco-
nomic toll of the coronavirus pan-
demic.
“A writer treated like a mafio-
so,” a lawmaker for the center-left
Democratic Party, Matteo Orfini,
wrote on Twitter. “Reading and in-
terpreting a city only through the
lens of decorum and security can’t
be the solution. In fact, it’s a (not
small) part of the problem.”
At least one “Free Geco” tag ap-
peared on a city wall. But actually,
he has not been arrested.
Geco’s lawyer, Domenico
Melillo, himself a graffiti writer
turned street artist known as
Frode, said the investigation was
still in a preliminary phase and
that his client had not been for-
mally charged.
“Everything has to be verified,”
he said.
If Geco is charged with defacing
public or private property and
found to be a repeat offender, he
could face up to two years in pris-


on and fines.
But Mr. Melillo dismissed the
mayor’s Facebook post as little
more than political propaganda
that violated his client’s right to
secrecy during the preliminary in-
vestigation. Mayors have under-
stood that cracking down on graf-
fiti has become a way to forge a po-
litical consensus, he said.
“They want to show that they’re
doing something,” he said.
Through his lawyer, Geco de-
clined to be interviewed.
The Geco sting was carried out
by an 18-month-old environmen-
tal police task force that works di-
rectly for the mayor’s office. It
acted on numerous formal com-
plaints on the part of Ms. Raggi as
well as the city’s infrastructure
commissioner and an association
for one of Rome’s biggest parks.
They claimed damage to city
property as well as various other
buildings and green spaces.
It was rumored that Geco had
landed in the cross hairs of the
mayor because he had mistakenly
tagged what he thought was an
abandoned building that turned
out to be a Secret Service hide-out.
The mayor’s office said Geco
had already operated in different
European countries, above all
Portugal, where he had caused
thousands of euros in damages in
Lisbon.
Some might argue that Rome
had expanded its urban art scene

thanks to his tags. When it comes
to graffiti, there has always been a
fine line between vandalism and
creative genius, said Mr. von Va-
cano, the urban art expert.
Many celebrated contemporary
artists, including Jean-Michel
Basquiat and Keith Haring, began
their careers as taggers. And
countless street painters have
achieved fame, and market value,
from Banksy to Blu, another cele-
brated — and anonymous — Ital-
ian artist.
Geco has never strayed from

his roots as a tagger. In an inter-
view on a Portuguese website, he
defined himself as a high-volume
bomber who wanted to “spread
my name more than having a su-
per-developed aesthetic.” He said
his top priority was quantity, add-
ing, “Quality comes later.”
“He is pure,” Mr. von Vacano
said. “He is everywhere, a free
spirit, and like all street artists of
his kind, he works in lawlessness.
He does not interact with the art
system.”

While Ms. Raggi was celebrat-
ing the supposed downfall of one
street painter, another was being
celebrated at Rome’s municipal
Gallery of Modern Art, with a ret-
rospective of the American Shep-
ard Fairey. The show, “3 decades
of dissent” is now closed because
of the coronavirus.
And for a campaign launched
last November to teach Roman
schoolchildren to keep their city
clean, Ms. Raggi hired a well
known graphic artist to draw her
as a manga comic figure. (In one,
the mayor is shown frowning
upon a graffiti writer.)
Not long after, the artist, Mario
Improta, known as Marione, was
fired from the campaign after he
posted a vignette on social media
depicting the European Union as
the Nazi concentration camp
Auschwitz.
“It’s clear that not everyone
likes graffiti and it’s legitimate
that someone can be annoyed that
someone has tagged his house.
But it’s a leap to think of a writer
as a criminal,” said Andrea Cegna,
the author of a book on graffiti.
To praise the Banksys or the
Harings, he said, “you have to ac-
cept the contradictory part, the il-
legal part.”
“Because as is true of every-
thing that is aesthetic, everything
that has to do with taste,” Mr.
Cegna added. “There is no right or
wrong.”

Anonymous Graffiti Artist Tracked Down in Rome


RICCARDO ANTIMIANI/EPA, VIA SHUTTERSTOCK

Graffiti in Rome that reads “Geco gives you wings,” above. Rome’s mayor, Virginia Raggi, top,
wrote on social media that the artist “has soiled hundreds of walls and buildings in Rome.”

MARILLA SICILIA/MONDADORI PORTFOLIO, VIA GETTY IMAGES

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