Paris

(coco) #1

XIII


A


short walk from Ivry-sur-Seine train station, Huang Yong
Ping, 62, lets us into his studio. Two days before con-
struction starts on the largest indoor art work ever, it’s all
work, furrowed brows and last-minute changes. The
teams are giving their all to this unique and gigantic project
made from three hundred ship containers forming eight mountains,
one of which is more than 10 meters high, on which the skeleton of
an awesome 250-meter long snake monster with 102 teeth is writhing.
In the center, an exact copy of a Napoleonic bicorn hat, digitally
upsized to XL, is set to cast its shadow over the Grand Palais.

What does the Grand Palais mean to you?
It’s a place where I can work with history, politics and the social
context. This project is called Empires, for Monumenta and for the
Grand Palais. Because there’s the same idea of monumentality in
these three words, the idea of industrial empire at its height and chaos.

What does your work consist of?
It’s quite a simple work. The first important thing is the large portico

made from containers. The second thing is the contrast between the
moving snake and the stable and geometric containers. It’s like ying
and yang. It’s the universal breath, the qi, which is constantly trans-
forming itself and gives the universe and beings their shapes in Chan
Buddhism. The third thing is Napoleon’s black hat, the epicenter
around which everything turns. The Grand Palais is just a kilometer
from the Invalides. History is entering the work. It’s this hat that
symbolizes the Napoleonic wars, but also, of course, all the present
economic, political and social wars, which I want to condemn.
Greatness too and decadence, hegemony and decline.

What place does man hold in your work?
Man is always present. It’s man who makes the work and it’s man
who visits and looks at the work. ■

ART


Following in the footsteps of Richard Serra, Christian Boltanski, Anish Kapoor,
and Ilya and Emilia Kabakov at the last Monumenta in 2013, Chinese-born artist Huang Yong
Ping will this year showcase his works in a 13,000 sq.m space at the Grand Palais.
Not an artist of public fame, this man, who represents China’s artistic avant-garde, has created
a spectacular installation that reflects on the transformation of our planet: a
250 meter-long snake monster, a symbol of the universe. We asked the artist to tell us more.A. K.

Monumenta
Until June 18. “Huang Yong Ping. Empires”. Nef Grand Palais.
3, avenue du Général Eisenhower, 8th.
Closed Tuesday. €10. http://www.grandpalais.fr/fr/evenement/
monumenta-2016-huang-yong-ping

CHINA TAKES MONUMENTA


to new heights


© JEAN -FRANÇOIS GATÉ.

圀漀爀氀搀䴀愀最猀⸀渀攀琀圀漀爀氀搀䴀愀最猀⸀渀攀琀

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