Amateur Photographer - UK (2020-12-05)

(Antfer) #1
Here, I used a 10-stop ND to
smooth the water and give the
image a more graphic feel
Sony Alpha 7 III, 24-105mm f/4 at 38mm, 3min
at f/16, ISO 100, Kase K9 10-stop ND

Kase’s ND filters
are top quality and
perfectly neutral in
terms of colour
Sony Alpha 7 III, 24-105mm F4 at
24mm, 4min at f/5.6, ISO 400.
Kase Wolverine K9 polariser, 3-stop
soft ND grad and 16-stop ND

remove. This enables the
use of an extremely low
prole design that sits behind
the square lters, and is easily
adjusted using a wheel on one
side of the holder. It also means
that you can leave adapter rings
on your lenses and readily swap
the polariser between them when
you’re not using the lter holder.
Adapter rings are available in
72mm, 77mm and 82mm sizes,
while for lenses with smaller
threads, you use step-up rings.
Kase sells inexpensive bright red
plastic caps that push over the
adapters to protect your lenses
when they’re not in use.


When you do come to t the
holder and start using neutral-
density lters, you’ll nd that
they’re not actually square.
Instead, Kase has made them
the same shape as its grads, at
150x100mm. This turns out to
have genuine operational
advantages; it makes the lters
much easier to swap in and out
of the holder, particularly when
you also have a grad in place,
and also makes them easier
to grab from the carrying case.
However, the downside is that
you end up paying for glass
that you’re not actually using,
which offsets some of the cost

for xing the carry case to my
camera bag strap. I’d actually
recommend the case to any
100mm system user, regardless
of what brand they use; it costs
£30 from Kase’s website.
All of the lters use toughened
glass, along with coatings that are
designed to make them scratch
resistant and easy to clean. They
really are of excellent quality, and
have a ghting chance of surviving
if you drop them accidentally on
to a hard surface.

In practical use
I tested the £365 Kase Entry-
Level Kit, which comprises the

Testbench FILTERS TEST


saving afforded by the relatively
small polariser.
Even the soft case that’s
supplied with the various kits
is brilliantly thought out. It holds
up to ten lters, and has a pocket
on the front for the holder and
adapter rings. On the back,
you’ll nd clips for a strap, plus
a tripod attachment point that
wraps around one leg and is
secured in place by Velcro. At this
point the case unzips and opens
concertina-fashion, giving easy
access to all your lters, with its
lid tucking neatly out of the way
at the back. I found that the
tripod attachment was also handy

Attaching the case to your tripod gives easy access to your filters The polariser is easy to adjust from behind the camera

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