Gardners Art through the Ages A Global History

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1052 Bibliography

Grape, Wolfgang.The Bayeux Tapestry: Monument to a Nor-
man Triumph.New York: Prestel, 1994.
Hearn, Millard F.Romanesque Sculpture: The Revival of Mon-
umental Stone Sculpture in the Eleventh and Twelfth Cen-
turies.Ithaca, N.Y.: Cornell University Press, 1981.
Kahn, Deborah, ed.The Romanesque Frieze and Its Spectator.
London: Miller, 1992.
Male, Émile.Religious Art in France: The Twelfth Century.Rev.
ed. Princeton, N.J.: Princeton University Press, 1978.
Minne-Sève, Viviane, and Hervé Kergall.Romanesque and
Gothic France: Architecture and Sculpture.New York:
Abrams, 2000.
Nichols, Stephen G.Romanesque Signs: Early Medieval Narra-
tive and Iconography.New Haven, Conn.: Yale University
Press, 1983.
Nordenfalk, Carl.Early Medieval Book Illumination.New
York: Rizzoli, 1988.
Petzold, Andreas.Romanesque Art.New York: Abrams, 1995.
Schapiro, Meyer.The Sculpture of Moissac.New York: Thames
& Hudson, 1985.
Stalley, Roger.Early Medieval Architecture.New York: Oxford
University Press, 1999.
Tate,Robert B.,and Marcus Tate.The Pilgrim Route to Santi-
ago.Oxford: Phaidon, 1987.
To m a n , R o l f , e d .Romanesque: Architecture, Sculpture, Paint-
ing.Cologne: Könemann, 1997.
Zarnecki,George,Janet Holt,and Tristram Holland,eds.Eng-
lish Romanesque Art, 1066–1200.London: Weidenfeld &
Nicolson, 1984.
Chapter 18:
Gothic Europe
Bony, Jean.The English Decorated Style: Gothic Architecture
Transformed, 1250–1350.Ithaca, N.Y.: Cornell University
Press, 1979.
———.French Gothic Architecture of the Twelfth and Thir-
teenth Centuries.Berkeley: University of California Press,
1983.
Branner, Robert.Manuscript Painting in Paris during the
Reign of St. Louis.Berkeley: University of California
Press, 1977.
———.St. Louis and the Court Style in Gothic Architecture.
London: Zwemmer, 1965.
———, e d .Chartres Cathedral.New York: Norton, 1969.
Brown, Sarah, and David O’Connor.Glass-Painters (Medieval
Craftsmen).Toronto: University of Toronto Press, 1991.
Camille, Michael.Gothic Art: Glorious Visions.New York:
Abrams, 1996.
———.The Gothic Idol: Ideology and Image-Making in Me-
dieval Art.New York: Cambridge University Press, 1989.
Courtenay, Lynn T., ed.The Engineering of Medieval Cathe-
drals.Aldershot: Scolar, 1997.
Erlande-Brandenburg, Alain.The Cathedral: The Social and
Architectural Dynamics of Construction.New York: Cam-
bridge University Press, 1994.
———.Gothic Art.New York: Abrams, 1989.
Favier, Jean.The World of Chartres.New York: Abrams, 1990.
Fitchen, John.The Construction of Gothic Cathedrals: A Study
of Medieval Vault Erection.Chicago: University of Chi-
cago Press, 1981.
Frankl, Paul, and Paul Crossley.Gothic Architecture.New
Haven, Conn.: Yale University Press, 2000.
———.The Gothic: Literary Sources and Interpretations
through Eight Centuries.Princeton, N.J.: Princeton Uni-
versity Press, 1960.
Frisch, Teresa G.Gothic Art 1140–c. 1450: Sources and Docu-
ments.Toronto: University of Toronto Press, 1987.
Reprint of 1971 ed.
Gerson,Paula,ed.Abbot Suger and Saint-Denis.New York:
Metropolitan Museum of Art, 1986.
Grodecki, Louis.Gothic Architecture.New York: Electa/
Rizzoli, 1985.
Grodecki,Louis,and Catherine Brisac.Gothic Stained Glass,
1200–1300.Ithaca, N.Y.: Cornell University Press, 1985.
Jantzen, Hans.High Gothic: The Classic Cathedrals of
Chartres, Reims, Amiens.Princeton, N.J.: Princeton Uni-
versity Press, 1984.

Male, Émile.Religious Art in France: The Thirteenth Century.
Rev. ed. Princeton, N.J.: Princeton University Press, 1984.
Minne-Sève, Viviane, and Hervé Kergall.Romanesque and
Gothic France: Architecture and Sculpture.New York:
Abrams, 2000.
Nussbaum, Norbert.German Gothic Church Architecture.
New Haven, Conn.: Yale University Press, 2000.
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and Its Art Treasures.2d ed. Princeton, N.J.: Princeton
University Press, 1979.
Radding, Charles M., and William W. Clark.Medieval Archi-
tecture, Medieval Learning.New Haven, Conn.: Yale Uni-
versity Press, 1992.
Rudolph, Conrad.Artistic Change at St-Denis: Abbot Suger’s
Program and the Early Twelfth-Century Controversy over
Art.Princeton, N.J.: Princeton University Press, 1990.
Sauerländer, Willibald, and Max Hirmer.Gothic Sculpture in
France, 1140–1270.New York: Abrams, 1973.
Scott, Robert A.The Gothic Enterprise: A Guide to Under-
standing the Medieval Cathedral.Berkeley and Los Ange-
les: University of California Press, 2003.
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Architecture and the Medieval Concept of Order.3d ed.
Princeton, N.J.: Princeton University Press, 1988.
To m a n , R o l f , e d .The Art of Gothic: Architecture, Sculpture,
Painting.Cologne: Könemann, 1999.
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Conn.: Yale University Press, 1995.
Wilson, Christopher.The Gothic Cathedral: The Architecture
of the Great Church, 1130–1530.London: Thames &
Hudson, 1990.

Renaissance Art, General
Adams, Laurie Schneider.Italian Renaissance Art.Boulder,
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Art of Florence.2 vols. New York: Abbeville, 1988.
Campbell, Gordon.Renaissance Art and Architecture.New
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Campbell, Lorne.Renaissance Portraits: European Portrait-
Painting in the Fourteenth, Fifteenth, and Sixteenth Cen-
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Cole, Bruce.Italian Art, 1250–1550: The Relation of Renais-
sance Art to Life and Society.New York: Harper & Row,
1987.
———.The Renaissance Artist at Work: From Pisano to Tit-
ian.New York: Harper Collins, 1983.
Frommel, Christoph Luitpold.The Architecture of the Italian
Renaissance.London: Thames & Hudson, 2007.
Hall, Marcia B.Color and Meaning: Practice and Theory in Re-
naissance Painting.Cambridge: Cambridge University
Press, 1992.
Hartt, Frederick, and David G. Wilkins.History of Italian Re-
naissance Art.6th ed. Upper Saddle River, N.J.: Prentice
Hall, 2006.
Haskell, Francis, and Nicholas Penny.Taste and the Antique:
The Lure of Classical Sculpture 1500–1900.New Haven,
Conn.: Yale University Press, 1981.
Kent, F. W., and Patricia Simons, eds.Patronage, Art, and Soci-
ety in Renaissance Italy.Canberra: Humanities Research
Centre and Clarendon Press, 1987.
Levey, Michael.Florence: A Portrait.Cambridge, Mass.: Har-
vard University Press, 1998.
Lubbock, Jules.Storytelling in Christian Art from Giotto to
Donatello.New Haven, Conn.: Yale University Press,
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Paoletti, John T., and Gary M. Radke.Art, Power, and Patron-
age in Renaissance Italy.Upper Saddle River, N.J.: Pren-
tice Hall, 2005.
Pope-Hennessy, John.Introduction to Italian Sculpture.3d ed.
3 vols. New York: Phaidon, 1986.
Richardson, Carol M., Kim W. Woods, and Michael W.
Franklin.Renaissance Art Reconsidered: An Anthology of
Primary Sources.Oxford: Blackwell, 2007.
Smith, Jeffrey Chipps.The Northern Renaissance.New York:
Phaidon, 2004.

Barral i Altet, Xavier.The Early Middle Ages: From Late Antiq-
uity to AD1000.Cologne: Taschen, 1997.
Brown, Katharine Reynolds, Dafydd Kidd, and Charles T. Lit-
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politan Museum of Art, 2000.
Collins, Roger.Early Medieval Europe, 300–1000.New York:
St. Martin’s, 1991.
Conant, Kenneth J.Carolingian and Romanesque Architec-
ture, 800–1200.4th ed. New Haven, Conn.: Yale Univer-
sity Press, 1992.
Davis-Weyer, Caecilia.Early Medieval Art, 300–1150: Sources
and Documents.To r o n t o : U n i v e r s i t y o f To r o n t o P r e s s ,



  1. Reprint of 1971 ed.
    Diebold, William J.Word and Image: An Introduction to Early
    Medieval Art.Boulder, Colo.: Westview Press, 2000.
    Dodwell, Charles R.Anglo-Saxon Art: A New Perspective.
    Ithaca, N.Y.: Cornell University Press, 1982.
    ———.The Pictorial Arts of the West, 800–1200.New Haven,
    Conn.: Yale University Press, 1993.
    Harbison, Peter.The Golden Age of Irish Art: The Medieval
    Achievement 600–1200.New York: Thames & Hudson,


  2. Henderson, George.From Durrow to Kells: The Insular Gospel-
    Books, 650–800.London: Thames & Hudson, 1987.
    Hubert, Jean, Jean Porcher, and Wolfgang Fritz Volbach.The
    Carolingian Renaissance.New York: Braziller, 1970.
    ———.Europe of the Invasions.New York: Braziller, 1969.
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    Mayr-Harting, Henry.Ottonian Book Illumination: An Histor-
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    McClendon, Charles.The Origins of Medieval Architecture:
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    Megaw, Ruth, and John Vincent Megaw.Celtic Art: From Its
    Beginning to the Book of Kells.New York: Thames & Hud-
    son, 1989.
    Mütherich, Florentine, and Joachim E. Gaehde.Carolingian
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    Nees, Lawrence J.Early Medieval Art.New York: Oxford Uni-
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    Nordenfalk, Carl.Celtic and Anglo-Saxon Painting: Book Illu-
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    Braziller, 1977.
    O’Brien, Jacqueline, and Peter Harbison.Ancient Ireland:
    From Prehistory to the Middle Ages.New York: Oxford
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    Richardson, Hilary, and John Scarry.An Introduction to Irish
    High Crosses.Dublin: Mercier, 1996.
    Stalley, Roger.Early Medieval Architecture.New York: Oxford
    University Press, 1999.
    Wilson, David M.Anglo-Saxon Art: From the Seventh Century
    to the Norman Conquest.London: Thames & Hudson,






Chapter 17:
Romanesque Europe

Armi, C. Edson.Masons and Sculptors in Romanesque Bur-
gundy: The New Aesthetics of Cluny III.2 vols. University
Park: Pennsylvania State University Press, 1983.
Barral i Altet, Xavier.The Romanesque: Towns, Cathedrals,
and Monasteries.Cologne: Taschen, 1998.
Cahn, Walter.Romanesque Bible Illumination.Ithaca, N.Y.:
Cornell University Press, 1982.
———.Romanesque Manuscripts: The Twelfth Century. 2
vols. London: Miller, 1998.
Conant, Kenneth J.Carolingian and Romanesque Architec-
ture, 800–1200.4th ed. New Haven, Conn.: Yale Univer-
sity Press, 1992.
Demus, Otto.Romanesque Mural Painting.New York: Thames
& Hudson, 1970.
Dodwell, Charles R.The Pictorial Arts of the West, 800–1200.
New Haven, Conn.: Yale University Press, 1993.
Fergusson, Peter.Architecture of Solitude: Cistercian Abbeys in
Twelfth-Century Europe.Princeton, N.J.: Princeton Uni-
versity Press, 1984.

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