Gardners Art through the Ages A Global History

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1054 Bibliography


North, Michael.Art and Commerce in the Dutch Golden Age.
New Haven, Conn.: Yale University Press, 1997.
Rosenberg, Jakob, Seymour Slive, and E. H. ter Kuile.Dutch
Art and Architecture, 1600–1800.New Haven, Conn.: Yale
University Press, 1979.
Schama, Simon.The Embarrassment of Riches: An Interpreta-
tion of Dutch Culture in the Golden Age.Berkeley: Univer-
sity of California Press, 1988.
Stechow, Wolfgang.Dutch Landscape Painting of the 17th
Century.3d ed. Oxford: Phaidon, 1981.
Vlieghe, Hans.Flemish Art and Architecture, 1585–1700.New
Haven, Conn.: Yale University Press, 1998.
Westermann, Mariët.Rembrandt.London: Phaidon, 2000.
———.A Worldly Art: The Dutch Republic 1585–1718.New
Haven, Conn.: Yale University Press, 1996.

Chapter 26:
South and Southeast Asia after 1200
Asher, Catherine B.Architecture of Mughal India.New York:
Cambridge University Press, 1992.
Beach, Milo Cleveland.Mughal and Rajput Painting.Cam-
bridge: Cambridge University Press, 1992.
Blurton, T. Richard.Hindu Art.Cambridge, Mass.: Harvard
University Press, 1993.
Chaturachinda, Gwyneth, Sunanda Krishnamurty, and
Pauline W. Tabtiang.Dictionary of South and Southeast
Asian Art.Chiang Mai, Thailand: Silkworm Books, 2000.
Craven, Roy C.Indian Art: A Concise Histor y.Rev. ed. London:
Thames & Hudson, 1997.
Dallapiccola, Anna Libera, ed.Vijayanagara: City and Empire.
2 vols. Stuttgart: Steiner, 1985.
Dehejia, Vidya.Indian Art.London: Phaidon, 1997.
Encyclopedia of Indian Temple Architecture.8 vols. New Delhi:
American Institute of Indian Studies; Philadelphia: Uni-
versity of Pennsylvania Press, 1983–1996.
Girard-Geslan, Maud, ed.Art of Southeast Asia.New York:
Abrams, 1998.
Harle, James C.The Art and Architecture of the Indian Sub-
continent.2d ed. New Haven, Conn.: Yale University
Press, 1994.
Huntington, Susan L., and John C. Huntington.The Art of An-
cient India: Buddhist, Hindu, Jain.New York: Weatherhill,
1985.
Michell, George.Architecture and Art of Southern India: Vi-
jayanagara and the Successor States, 1350–1750.Cam-
bridge: Cambridge University Press, 1995.
———.Hindu Art and Architecture.New York: Thames &
Hudson, 2000.
———.The Hindu Temple: An Introduction to Its Meaning
and Forms.Chicago: University of Chicago Press, 1988.
Mitter, Partha.Indian Art.New York: Oxford University Press,
2001.
Pal, Pratapaditya, ed.Master Artists of the Imperial Mughal
Court.Mumbai: Marg, 1991.
Rawson, Phillip.The Art of Southeast Asia.New York: Thames
& Hudson, 1990.
Stadtner, Donald M.The Art of Burma: New Studies.Mumbai:
Marg, 1999.
Stevenson, John, and John Guy, eds.Vietnamese Ceramics: A
Separate Tradition.Chicago: Art Media Resources, 1997.
Stierlin, Henri.Hindu India from Khajuraho to the Temple
City of Madurai.Cologne: Taschen, 1998.
Welch, Stuart Cary.Imperial Mughal Painting.New York:
Braziller, 1978.
———.India: Art and Culture 1300–1900.New York: Metro-
politan Museum of Art, 1985.

Chapter 27:
China and Korea after 1279
Andrews, Julia Frances, and Kuiyi Shen.A Century in Crisis:
Modernity and Tradition in the Art of Twentieth-Century
China.New York: Guggenheim Museum, 1998.
Barnhart, Richard M.Painters of the Great Ming: The Imperial
Court and the Zhe School.Dallas: Dallas Museum of Art,
1993.

Cahill, James.The Painter’s Practice: How Artists Lived and
Worked in Traditional China.New York: Columbia Uni-
versity Press, 1994.
Clunas, Craig.Art in China.New York: Oxford University
Press, 1997.
Fahr-Becker, Gabriele, ed.The Art of East Asia.Cologne:
Könemann, 1999.
Fisher, Robert E.Buddhist Art and Architecture.New York:
Thames & Hudson, 1993.
Fong, Wen C., and James C. Y. Watt.Preserving the Past: Trea-
sures from the National Palace Museum, Taipei.New York:
Metropolitan Museum of Art, 1996.
Laing, Ellen Johnston.The Winking Owl: Art in the People’s
Republic of China.Berkeley: University of California
Press, 1989.
Li, Chu-tsing, ed.Artists and Patrons: Some Social and Eco-
nomic Aspects of Chinese Painting.Lawrence, Kans.:
Kress Department of Art History in cooperation with In-
diana University Press, 1989.
Nakata, Yujiro, ed.Chinese Calligraphy.New York: Weather-
hill, 1983.
Por tal, Jane.Korea: Art and Archaeolog y.New York: Thames &
Hudson, 2000.
Rawson, Jessica, ed.The British Museum Book of Chinese Art.
New York: Thames & Hudson, 1992.
Silbergeld, Jerome.Chinese Painting Style: Media, Methods,
and Principles of Form.Seattle: University of Washington
Press, 1982.
Steinhardt, Nancy S., ed.Chinese Architecture.New Haven,
Conn.: Yale University Press, 2002.
Sullivan, Michael.Art and Artists of Twentieth-Century
China.Berkeley: University of California Press, 1996.
———.The Arts of China.4th ed. Berkeley: University of
California Press, 1999.
Thorp, Robert L.Son of Heaven: Imperial Arts of China.Seat-
tle: Son of Heaven, 1988.
Thorp, Robert L., and Richard Ellis Vinograd.Chinese Art
and Culture.New York: Abrams, 2001.
Va i n k e r, S. J. Chinese Pottery and Porcelain: From Prehistory to
the Present.London: Braziller, 1991.
Watson, William.The Arts of China 900–1260.New Haven,
Conn.: Yale University Press, 2000.
———.The Arts of China after 1260.New Haven, Conn.: Yale
University Press, 2007.
Weidner, Marsha, ed.Flowering in the Shadows: Women in the
History of Chinese and Japanese Painting.Honolulu: Uni-
versity of Hawaii Press, 1990.
———.Views from Jade Terrace: Chinese Women Artists
1300–1912.Indianapolis: Indianapolis Museum of Art,
1988.
Xin, Yang, Nie Chongzheng, Lang Shaojun, Richard M. Barn-
hart,James Cahill,and Wu Hung.Three Thousand Years
of Chinese Painting.New Haven, Conn.: Yale University
Press, 1997.

Chapter 28:
Japan after 1336
Addiss, Stephen.The Art of Zen.New York: Abrams, 1989.
Baekeland, Frederick.Imperial Japan: The Art of the Meiji Era
(1868–1912).Ithaca, N.Y.: Herbert F. Johnson Museum
of Art, 1980.
Brown, Kendall.The Politics of Reclusion: Painting and Power
in Muromachi Japan.Honolulu: University of Hawaii
Press, 1997.
Cahill, James.Scholar Painters of Japan.New York: Asia Soci-
ety, 1972.
Coaldrake, William H.Architecture and Authority in Japan.
London: Routledge, 1996.
Fontein, Jan, and Money L. Hickman.Zen Painting and Callig-
raphy.Greenwich, Conn.: New York Graphic Society, 1970.
Guth, Christine.Art of Edo Japan: The Artist and the City,
1615–1868.New York: Abrams, 1996.
Hickman, Money L., John T. Carpenter, Bruce A. Coats, Chris-
tine Guth, Andrew J. Pekarik, John M. Rosenfield, and
Nicole C. Rousmaniere.Japan’s Golden Age: Momoyama.
New Haven, Conn.: Yale University Press, 1996.

Baroque Art, General

Blunt, Anthony, ed.Baroque and Rococo: Architecture and
Decoration.Cambridge: Harper & Row, 1982.
Harris, Ann Sutherland.Seventeenth-Century Art & Architec-
ture.Upper Saddle River, N.J.: Prentice Hall, 2005.
Harrison,Charles,Paul Wood,and Jason Gaiger,eds.Art in
Theory, 1648–1815: An Anthology of Changing Ideas.Ox-
ford: Blackwell, 2000.
Held,Julius,and Donald Posner.17th- and 18th-Century Art:
Baroque Painting, Sculpture, Architecture.New York:
Abrams, 1971.
Minor, Vernon Hyde.Baroque & Rococo: Art & Culture.New
York, Abrams, 1999.
Norberg-Schulz, Christian.Baroque Architecture.New York:
Rizzoli, 1986.
———.Late Baroque and Rococo Architecture.New York:
Electa/Rizzoli, 1985.
To m a n , R o l f .Baroque: Architecture, Sculpture, Painting.
Cologne: Könemann, 1998.


Chapter 24:
Italy and Spain, 1600 to 1700

Brown, Jonathan.The Golden Age of Painting in Spain.New
Haven, Conn.: Yale University Press, 1991.
———.Velázquez: Painter and Courtier.New Haven, Conn.:
Yale University Press, 1988.
Enggass, Robert, and Jonathan Brown.Italy and Spain,
1600–1750: Sources and Documents.Upper Saddle River,
N.J.: Prentice Hall, 1970.
Freedberg, Sydney J.Circa 1600: A Revolution of Style in Ital-
ian Painting.Cambridge, Mass.: Harvard University
Press, 1983.
Haskell, Francis.Patrons and Painters: A Study in the Rela-
tions between Italian Art and Society in the Age of the
Baroque.Rev. ed. New Haven, Conn.: Yale University
Press, 1980.
Krautheimer, Richard.The Rome of Alexander VII, 1655–1677.
Princeton, N.J.: Princeton University Press, 1985.
Lagerlöf, Margaretha R.Ideal Landscape: Annibale Carracci,
Nicolas Poussin, and Claude Lorrain.New Haven, Conn.:
Yale University Press, 1990.
Montagu, Jennifer.Roman Baroque Sculpture: The Industry of
Art.New Haven, Conn.: Yale University Press, 1989.
Puglisi, Catherine.Caravaggio.London: Phaidon, 2000.
Varriano, John.Italian Baroque and Rococo Architecture.New
York: Oxford University Press, 1986.
Wittkower, Rudolf.Art and Architecture in Italy 1600–1750.
6th ed. 3 vols.Revised by Joseph Connors and Jennifer
Montagu. New Haven, Conn.: Yale University Press, 1999.


Chapter 25:
Northern Europe, 1600 to 1700

Alpers, Svetlana.The Art of Describing: Dutch Art in the Seven-
teenth Century.Chicago: University of Chicago Press, 1984.
———.Rembrandt’s Enterprise: The Studio and the Market.
Chicago: University of Chicago Press, 1988.
Belkin, Kristin Lohse.Rubens.London: Phaidon, 1998.
Blunt, Anthony.Art and Architecture in France, 1500–1700.
Rev. ed. New Haven, Conn.: Yale University Press, 1999.
Brown, Christopher.Scenes of Everyday Life: Dutch Genre
Painting of the Seventeenth Century.London: Faber &
Faber, 1984.
Bryson, Norman.Word and Image: French Painting of the Ancien
Régime.Cambridge: Cambridge University Press, 1981.
Chastel, André.French Art: The Ancien Régime, 1620–1775.
New York: Flammarion, 1996.
Franits, Wayne.Looking at Seventeenth-Century Dutch Art:
Realism Reconsidered.Cambridge: Cambridge University
Press, 1997.
Haak, Bob.The Golden Age: Dutch Painters of the Seventeenth
Century.New York: Abrams, 1984.
Mérot, Alain.French Painting in the Seventeenth Century.New
Haven, Conn.: Yale University Press, 1995.
Muller,Sheila D.,ed.Dutch Art: An Encyclopedia.New York:
Garland, 1997.

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