Gardners Art through the Ages A Global History

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1056 Bibliography

Jensen, Robert.Marketing Modernism in Fin-de-Siècle Eu-
rope.Princeton, N.J.: Princeton University Press, 1994.
Lewis, Mary Tompkins.Cézanne.London: Phaidon, 2000.
Nochlin, Linda.Impressionism and Post-Impressionism,
1874–1904: Sources and Documents.Upper Saddle River,
N.J.: Prentice Hall, 1966.
Pfeiffer, Ingrid, and Max Hollein, eds.Women Impressionists.
Ostfildern, Germany: Hatje Cantz, 2008.
Rachman, Carla.Monet.London: Phaidon, 1997.
Rapetti, Rodolphe.Symbolism.Paris: Flammarion, 2006.
Rubin, James H.Impressionism.London: Phaidon, 1999.
Schorske, Carl E.Fin-de-Siècle Vienna: Politics and Culture.
New York: Knopf, 1980.
Shiff, Richard.Cézanne and the End of Impressionism: A
Study of the Theory, Technique, and Critical Evaluation of
Modern Art.Chicago: University of Chicago Press, 1984.
Silverman, Debora L.Art Nouveau in Fin-de-Siècle France:
Politics, Psycholog y, and Style.Berkeley: University of
California Press, 1989.
Smith, Paul.Impressionism: Beneath the Surface.New York:
Abrams, 1995.
Sund, Judy.Va n G o g h .London: Phaidon, 2002.

Chapter 32:
Native Arts of the Americas after 1300
Bawden, Garth.Moche.Oxford: Blackwell, 1999.
Berlo, Janet Catherine, ed. Plains Indian Drawings
1865–1935.New York: Abrams, 1996.
Berlo, Janet Catherine, and Ruth B. Phillips.Native North
American Art.New York: Oxford University Press, 1998.
Boone, Elizabeth.The Aztec World.Washington, D.C.: Smith-
sonian Institution Press, 1994.
Bruhns, Karen O.Ancient South America.New York: Cam-
bridge University Press, 1994.
Coe, Michael D.The Maya.7th ed. New York: Thames & Hud-
son, 2005.
———.Mexico: From the Olmecs to the Aztecs.5th ed. New
York: Thames & Hudson, 2002.
D’Altroy, Terence N.The Incas.New ed. Oxford: Blackwell,
2003.
Davies, Nigel.The Ancient Kingdoms of Peru.New York: Pen-
guin, 1997.
Feest, Christian F.Native Arts of North America.2d ed. New
York: Thames & Hudson, 1992.
Fienup-Riordan, Ann.The Living Tradition of Yup’ik Masks.
Seattle: University of Washington Press, 1996.
Fitzhugh, William W., and Aron Crowell, eds.Crossroads of
Continents: Cultures of Siberia and Alaska.Wa s h i n g t o n ,
D.C.: Smithsonian Institution Press, 1988.
Gasparini, Graziano, and Luise Margolies.Inca Architecture.
Bloomington: Indiana University Press, 1980.
Hill,Tom,and Richard W.Hill,Sr.,eds.Creation’s Journey: Na-
tive American Identity and Belief.Washington, D.C.:
Smithsonian Institution Press, 1994.
Kubler, Ge orge.The Art and Architecture of Ancient America:
The Mexican, Maya, and Andean Peoples.3d ed. New
Haven, Conn.: Yale University Press, 1992.
Malpass, Michael A.Daily Life in the Inca Empire.We s t p o r t ,
Conn.: Greenwood, 1996.
Mathews, Zena, and Aldona Jonaitis, eds.Native North Amer-
ican Art History.Palo Alto, Calif.: Peek, 1982.
Matos, Eduardo M.The Great Temple of the Aztecs: Treasures
of Tenochtitlan.New York: Thames & Hudson, 1988.
Maurer, Evan M.Visions of the People: A Pictorial History of
Plains Indian Life.Seattle: University of Washington
Press, 1992.
McEwan, Gordon F.The Incas: New Perspectives.Santa Bar-
bara, Calif.: ABC-CLIO, 2006.
Miller, Mary Ellen.The Art of Mesoamerica, from Olmec to
Aztec.4th ed. New York: Thames & Hudson, 2006.
Morris, Craig, and Adriana von Hagen.The Inka Empire and
Its Andean Origins.New York: Abbeville, 1993.
Moseley, Michael E.The Incas and Their Ancestors: The Archae-
ology of Peru.Rev. ed. New York: Thames & Hudson, 2001.
Nabokov, Peter, and Robert Easton.Native American Architec-
ture.New York: Oxford University Press, 1989.

Pasztor y, Esther.Aztec Art.New York: Abrams, 1983.
———.Pre-Columbian Art.New York: Cambridge University
Press, 1998.
Penney, Dav id W.North American Indian Art.New York:
Thames & Hudson, 2004.
Phillips, Ruth B.Trading Identities: The Souvenir in Native
North American Art.Seattle: University of Washington
Press, 1998.
Samuel, Cheryl.The Chilkat Dancing Blanket.Norman: Uni-
versity of Oklahoma Press, 1982.
Schaafsma, Polly, ed.Kachinas in the Pueblo World.Albu-
querque: University of New Mexico Press, 1994.
Silverman, Helaine.The Nasca.Oxford: Blackwell, 2002.
———, e d .Andean Archaeolog y.Oxford: Blackwell, 2004.
Smith, Michael Ernest.The Aztecs.2d ed. Oxford: Blackwell,
2002.
Stewart, Hilary.Looking at Totem Poles.Seattle: University of
Washington Press, 1993.
Von Hagen, Adriana, and Craig Morris.The Cities of the An-
cient Andes.New York: Thames & Hudson, 1998.
Wardwell, Allen.Ta n g i b l e V i s i o n s : N o r t h w e s t C o a s t I n d i a n
Shamanism and Its Art.New York: Monacelli, 1996.
Wa s h b u r n , D o r o t h y.Living in Balance: The Universe of the
Hopi,Zuni,Navajo,and Apache.Philadelphia: University
Museum, 1995.
Weaver, Muriel Porter.The Aztecs,Mayas,and Their Predeces-
sors.3d ed. San Diego: Academic, 1993.
Wr i g h t , R o b i n K .Northern Haida Master Carvers.Seattle:
University of Washington Press, 2001.
Wyman, Leland C.Southwest Indian Drypainting.Albu-
querque: University of New Mexico Press, 1983.
Chapter 33:
Oceania
Caruana, Wally.Abor ig inal Ar t.2d ed. New York: Thames &
Hudson, 2003.
Cox, J. Halley, and William H. Davenport.Hawaiian Sculpture.
Rev. ed. Honolulu: University of Hawaii Press, 1988.
D’Alleva, Anne.Arts of the Pacific Islands.New York: Abrams,
1998.
Feldman, Jerome, and Donald H. Rubinstein.The Art of Mi-
cronesia.Honolulu: University of Hawaii Art Gallery, 1986.
Greub, Suzanne, ed.Authority and Ornament: Art of the Sepik
River, Papua New Guinea.Basel: Tribal Art Centre, 1985.
Hanson, Allan, and Louise Hanson, eds.Art and Identity in
Oceania.Honolulu: University of Hawaii Press, 1990.
Kaeppler, Adrienne L., Christian Kaufmann, and Douglas
New ton.Oceanic Art.New York: Abrams, 1997.
Kooijman, Simon.Tapa in Polynesia.Honolulu: Bishop Mu-
seum Press, 1972.
Mead,Sidney Moko,ed.Te Maori: Maori Art from New
Zealand Collections.New York: Abrams in association
with the American Federation of Arts, 1984.
Morphy, Howard.Abor ig inal Ar t.London: Phaidon, 1998.
Sayers, Andrew.Australian Art.New York: Oxford University
Press, 2001.
Schneebaum, Tobias.Embodied Spirits: Ritual Carvings of the
Asmat.Salem, Mass.: Peabody Museum of Salem, 1990.
Smidt, Dirk, ed.Asmat Art: Woodcarvings of Southwest New
Guinea.New York: Braziller in association with Rijksmu-
seum voor Volkenkunde, Leiden, 1993.
Starzecka, Dorota, ed.Maori Art and Culture.Chicago: Art
Media Resources, 1996.
Sutton, Peter, ed.Dreamings: The Art of Aboriginal Australia.
New York: Braziller in association with the Asia Society
Galleries, 1988.
Thomas, Nicholas.Oceanic Art.London: Thames & Hudson,
1995.
Chapter 34:
Africa after 1800
Abiodun, Roland, Henry J. Drewal, and John Pemberton III,
eds.The Yoruba Artist: New Theoretical Perspectives on
African Arts.Washington, D.C.: Smithsonian Institution
Press, 1994.
Bassani, Ezio.Arts of Africa: 7,000 Years of African Art.Milan:
Skira, 2005.

Eitner, Lorenz.Neoclassicism and Romanticism, 1750–1850:
An Anthology of Sources and Documents.New York:
Harper & Row, 1989.
Fried, Michael.Courbet’s Realism.Chicago: University of
Chicago Press, 1982.
———.Manet’s Modernism, or, The Face of Painting in the
1860s.Chicago: University of Chicago Press, 1996.
Hilton, Timothy.The Pre-Raphaelites.New York: Oxford Uni-
versity Press, 1970.
Holt, Elizabeth Gilmore, ed.From the Classicists to the Impres-
sionists: A Documentary History of Art and Architecture
in the Nineteenth Century.Garden City, N.J.: Anchor
Books; Doubleday, 1966.
Honour, Hugh.Romanticism.New York: Harper & Row, 1979.
Janson, Horst W.19th-Century Sculpture.New York: Abrams,
1985.
Krell, Alain.Manet and the Painters of Contemporary Life.
London: Thames & Hudson, 1996.
Kroeber, Karl.British Romantic Art.Berkeley: University of
California Press, 1986.
Mainardi, Patricia.Art and Politics of the Second Empire: The
Universal Expositions of 1855 and 1867.New Haven,
Conn.: Yale University Press, 1987.
———.The End of the Salon: Art and the State in the Early
Third Republic.Cambridge: Cambridge University Press,
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Middleton, Robin.Architecture of the Nineteenth Century.
London: Phaidon, 2003.
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Century Architecture.2 vols. New York: Electa/Rizzoli,
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Harper & Row, 1988.
Nochlin, Linda.Realism and Tradition in Art, 1848–1900:
Sources and Documents.Upper Saddle River, N.J.: Pren-
tice Hall, 1966.
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tury: Realism and the American Experience.New York:
Harper & Row, 1979.
Novotny, Fritz.Painting and Sculpture in Europe, 1780–1880.
3d ed. New Haven, Conn.: Yale University Press, 1988.
Porterfield, Todd.The Allure of Empire: Art in the Service of
French Imperialism 1798–1836.Princeton, N.J.: Prince-
ton University Press, 1998.
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The Mythology of Nineteenth-Century Art.New York:
Viking, 1984.
Rubin, James Henr y.Courbet.London: Phaidon, 1997.
Sloane, Joseph C.French Painting between the Past and the
Present: Artists, Critics, and Traditions from 1848 to 1870.
Princeton, N.J.: Princeton University Press, 1973.
Symmons, Sarah.Goya.London: Phaidon, 1998.
Taylor, Joshua, ed.Nineteenth-Century Theories of Art.Berke-
ley: University of California Press, 1987.
Vaughn, William.German Romantic Painting.New Haven,
Conn.: Yale University Press, 1980.
Wo l f , B r y a n J a y.Romantic Revision: Culture and Conscious-
ness in Nineteenth-Century American Painting and Liter-
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Wood, Christopher.The Pre-Raphaelites.New York: Viking,
1981.
Chapter 31:
Europe and America, 1870 to 1900


Adams, Steven.The Barbizon School and the Origins of Im-
pressionism.London: Phaidon, 1994.
Broude, Norma.Impressionism: A Feminist Reading.New
York: Rizzoli, 1991.
Duncan, Alastair.Art Nouveau.New York: Thames & Hudson,
1994.
Escritt, Stephen.Art Nouveau.London: Phaidon, 2000.
Garb, Tamar.Bodies of Modernity: Figure and Flesh in Fin-de-
Siècle France.New York: Thames & Hudson, 1998.
Gerdts, William H.American Impressionism.New York:
Abbeville, 1984.
Herbert, Robert L.Impressionism: Art, Leisure, and Parisian
Society.New Haven, Conn.: Yale University Press, 1988.

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