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illustrations
P;l~l' 5 TIll'B uffaloH u utb yCharlesM.Rus~11.Itussdl
W;lSJcowbov whotaughthunsclf'top aint .and he
becameoneo fthebestknown an iseso ft heA mer ican
Wl'st .Sloealsothepail1lin~ 011 p a ge-ll.
Page 7 (1')BlackfootA r ncriudiantc pc-c-s p aintedb y the
GcruuuartistKarlBodmer. In th enoos Bo dm er
followed therouteofth eLewisandClarkexpedition
acmssthe G reatPlain s to the Ro ck yMoun tains.
Page7 (B)JI ,tidal /ld ianPM/del,b yMo rrKiinstkr.T his is
atwcutict h-ceurury re-creat io n byKiinatler w ho carrws
ou t detaile dresearch( 0m akehis hisrorrcal paiunugvas
acc u rateas possible. Seealso paintings0 11r ages 22 • .30,
(,(Jand99.
Page1) This is anAzt ec drawingo f aneven t in the
Spanishcon q Ue-5 1 o f l\kxicoduring theexped itionof
NUllO""Guzmanin15]0whenth e T'lascalansaidedt he
Spaniard s inpunishin ganother tribewhichhadhangeda
Spaniard.T he-draw ing isfromthelong-destro yed
Lit' lI70deT lascala canvas.
Page 17 Aromanticizedimpresviono f the l andingo f t he
Pil g r imFathersb y a uinctccn th -cemu ryarrist.
Page IH PilgrimsgOlllgtoch urc h paintedb yGeorgeH.
Boughtonill H16 7.
Page I'J Anim pr essionofrhcfirsrT hanksg ivin gb y a
nincnx-nth-centuryart is t.
(';lge2t1 A co nte mporarypaintingo f Philadelph i a hy
Peter C ooper.
Pag e 11 D,m id&xliiI'b y M o rt Kun srler(seenot estopaglo
7).
Pag e 24 Aco n tempora ryengraving.
Page 16 (I)A cOnlcmporny English carroousho w in g
the bun a1 o f rhcSump Act .Writtenont hecoffinarc the
words," n o min 1765,D ied in176 6_"
Page 16 (B)An im pre-ssiono f r hcBoston'I'ca Partyb y a
ninctccnrh-ccm u rv artis t.
Page ,}O Rl'aJill.~th;lJ u /ar.uiollofIndl'pt."IlJrIlu 10 thr
T rp"p.b y M o rt Kiina tlcr (secnotestopage7).
Page3 1 A COntl>mpornypo rt rait
Page 34 A con tem porarypaintingb y J am esPeale.
l' ;lgl' 36 Anim p ressio nbya uiru-reen th-c cnturvartis t.
PageJH A t"o mem po rar ypaint ing.
PageJ<) A conte mporar yeugraving.
Page4 1 IndidlliIJjS(Ill'frill.~u:wisandC larkb y Ch arlesM.
Russ ell (Set'notes[0page5).
Page 42 Sftri'l<~Trapsj"r&oJl'fJ'by Alfr e d Ja cohM iller.
M illersket chedthe A m erindiansandmoulluill-mell of
th e It ockyMO Ullt;llllSwhilcru\'c1ingth e\"c in the1K30 s.
PJ.g e 43 1111 (:11II'~~''''Trui fsU'C'T~D imb yChark~M.
RlI~)dl(seenote-stopage5).
P;lgC 44 A com emporaryn inctct'nth-ct."Iltu ryeng r;l\'l ng.
l'J.g<' 45 Aconte m po rarynineteen th-c elll u ryIit hogr;lph.140Page4(, A con tempora ryengraving.
()age 48 A conte mporary portr aito f DredScou b y Lo ui ';
Sch ulze.
Pa~e 49 T ill'U"dl'~l!romJdR.JiIrt'.Jdby C harlesT. Wehber.
Acontempo ra rynineteenth-centurypainting.
l"lgl' 54 Acontem po r;lr ytOngrJ vin g.
Page5H A contemporar yengra ving.
l' ;lgl' 60 TheG o/JrnSpih'b yMo rtKun stlc r(secnotesto
pag e7).
1).lge 61 TheSlUmpl'drb y Frederic Rem ingto n. paintedill
I<)(IRReming ton spentm an yyear spaintingand
drawingill th eAmer icanWest. Secalsopaintingson
pJgl'S 63 and 68.
PJ ge 63 (I)A (ro.",rll(Comi,,~tJt.••U'ts lWoJrdI/'~COIlTSf'!j
J::mpjr~ToJknirsII dY"byFan n yPalm er. An idealised
hand-coloredlit ho grap h of till'o peningand sctrlcme ut
o f the We-st(186l:l).
Page 63 (B) Th ehdll~rrill'Cou'bI'yhyFred eric
Rem in g to n (SCI: no t estilp;lge 61 ).
I':lge 65 Alateninctccnth-ceururvpaint ing o f
Yellowsto neN at io nal Park bvThomasMo ran.
Page(,7 All im pressionbyar onrc rnpo rar v artis t.
Pag" (,8 C hostDm/a ', sb yf rederic Rem ington{secnote s
to pag l o6 t ) .This paint ingof 189 0 show sO gullalaSioux
performingt he G host IJaur c ar th e Pillen id gcoIn d i an
Agenc y.Sou th Dako ta.
Page 76 T ill'{], Il'rili"o'o!4 1lil'StoJlU~ofUbmy.A
contem po ra ry paintingbyFran cisG. M ayer.
Pagen A hand-coloredcontempora ry photograph.
I'age 78 (I)AnC:.J.r1y twcntieth-centurvphotograph.
Page7M (B)C liffD " 'l'lfrrsbyGeorgeBello ws.
Page8C 1 (n)A h and-coloredphotog raphfromtheearly
I')()(J,..
PageH1 TI ,e S trikl'byn o ben Koehler_T Ill'artist's
represe nt atio noft he ten sio nsbetweenlabo rand capital
ill rhc lateniuerccnthcentu ry.
Page H4 A conkmpota ry p rin t.
l' dj.!;l'H(, Acontemporar ypainti ng.
PagcHH ABriti shpropaj.!;andapos te rm akingus,'ofthe
sink ingofth eL usit.llli.lin 1'J15toaro useAmeric an
sympath ies.
Page9 1 A contem pora ry paintingbySirWilliamOrpcn
o f thesigningoft heVcrsadlcspt"acetr eaty.
Page 91 AmagaZilll·l'overof1916.
Pagl'')I) Th/"n..ltlf~ 4 ..-l.1IoJ(PSliuJ-"/oJI;hy M o rtKlin stkr(sec
note~topJ g c'7).
\' Jg lo 112Aphotographo f .. sectio no f the HerlinWall
eo venodwithguffiti .T heguffiriartistIusp..illkd;l
viewo f EaslBt"rlinth ro ugh.. sk ull-sh.J.pl'dhole in rhe
wall.