there    is  no  mention     of  dead    Englishmen,     so  eliminate   (B).    Choice  (C)     is  an  accurate
characterization    of  Lord    Antony’s    use of  the phrase  in  question:   In  Lord    Antony’s    metaphor,
the  French  aristocracy     is  the     hare,   and     the     harm    is  the     teeth   of  the     hound.  Because     the
passage concerns    the cruelty of  French  revolutionaries toward  nobles, (D) contradicts the
passage and is  incorrect.
6. C The    answer  to  the previous    question    is  that    Lord    Antony  uses    the phrase  in  question    to
describe    the sensation   of  delivering  French  nobles  from    harm.   Choice  (A) does    not mention
either  the aristocrats or  the danger  they    are in, so  it  is  incorrect.  Choice  (B) is  incorrect
because it  describes   the danger  to  the Pimpernel   and his companions, not the French  nobles.
Choice  (D) describes   only    the danger  that    the Comtesse    has found   herself in, so  (D) can be
eliminated.  Choice  (C)     is  correct     because     it  describes   the     Pimpernel’s     men     delivering
French  nobles  from    harm.
7. D In the sentence    in  question,   the Comtesse    is  described   as  incredulous,    which   means   that    she
has trouble believing   the reason  given   to  explain why the Pimpernel   and his companions
have    gone    to  France  to  rescue  aristocrats.    She is  not critical;   therefore,  (A) is  incorrect.
She is  not anxious,    so  eliminate   (B).    While   the Comtesse    may be  relieved    that    she has been
rescued,    the sentence    in  question    describes   her as  incredulous.    Therefore,  (C) is  incorrect.
Perplexed   means   “puzzled”;  because the Comtesse    finds   the given   explanation inadequate
to  explain the behavior,   she is  puzzled.    Choice  (D) is  correct.
8. B Bearded    describes   the Pimpernel’s men,    who we  know    are courageous  for rescuing    the
Comtesse.   Therefore,  bearded must    mean    something   like    “faced  with    courage.”   Of  the four
answer  choices,    only    (B) captures    their   courage and is  correct.
9. A The    two sentences   in  question    draw    a   contrast    between the peace   of  England and the chaos
of   France.    Tranquility  means   “peace”     and    turmoil  means   “chaos.”    Therefore,  (A)     is
correct.     Choice  (B)     is  also    incorrect:  Although    the     inn     is  old-fashioned,  there   is  no
indication  that    France  should  be  thought of  as  modern. While   the Comtesse    is  free,   that    fact
is   not     mentioned   in  the     description     of  the     inn     or  England,    nor     does    she     actually    ever
describe    the mob as  ignorant.   (In fact,   fleeing the plague  seems   a   very    intelligent thing   to
do.)    Therefore,  (C) is  incorrect.  Because austerity   means   “extreme    simplicity,”    (D) does
not accurately  describe    the contrast    between England and France.
- A In    the paragraph   in  question,   the Comtesse    compares    her perception  of  Sir Antony’s    motives
 with     those   of  Sir     Andrew.     Therefore,  (A)     is  a   good    description     of  the     distinction
 emphasized   by  the     italics.    There   is  never   any     indication  that    Sir     Antony’s   methods  are
 different    from    Sir     Andrew’s,   so  (B)     is  incorrect.  While   the     Comtesse    feels   there   is  a
 distinction between Sir Andrew’s    motivations and those   of  Sir Antony, (C) is  incorrect:
 Antony  is  motivated   by  excitement, not money.  And while   the Comtesse    sees    a   distinction
 between Antony’s    motivations (a  love    of  adventure)  and Sir Andrew’s    motive  (one    that    is
 higher  and nobler),    (D) is  incorrect   because there   is  no  indication  that    Andrew  is  seeking
 admiration  and praise  (which  seems   unlikely    to  be  the higher  motive  she implies).
11. D The   passage is  primarily   concerned   with    descriptions    of  Roman   baths,  how they    came    into