Music Fundamentals A Balanced Approach

370 Exercise 14.13 Using roman numerals and figured bass symbols for the parallel keys (G major and G minor), draw the following ...

Questions to consider: How is the key established in this piece? Which triads are not used? Theory Trainer Exercise 13bDraw tr ...

In Modules 11 and 13 we studied three-note chords called triadsand used them to harmonize melodies, a defining feature of Wester ...

The roman numerals, triad qualities, and scale degree names are the same for every harmonic minor scale. Only the triad letter ...

Exercise 1—Class Exercise TRACK 95 Listening: “That’s All” harmonized with seventh chords. “That’s All” (A. Brandt and B. Haymes ...

336 Primary and Secondary Triads of the Harmonic Minor Scale Triads of a minor scale can be divided into primary and secondary t ...

Note: Inroot position, the seventh chord consists of four notes, all consecutive thirds apart. The interval of the seventh is c ...

Theory Trainer Exercise 13bDraw triads when given a roman numeral: major and minor keys 337 TRIADS: ROMAN NUMERALS iiº V iiº V i ...

Two Methods of Writing Dominant Seventh Chords Method 1: Using the major key signature to draw a dominant seventh chord Locate t ...

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Method 2: Using the size of intervals to construct a dominant seventh chord The dominant seventh chord consists of the followin ...

Theory Trainer Exercise 15cDraw dominant sevenths given a root. Harmonizing Music in Major Keys Using Triads or Dominant Seventh ...

Inversions of Dominant Seventh Chords Dominant seventh chords, like triads, may be inverted. Notice: The seventh chord has four ...

WORKBOOK – MODULE 13 Name Exercise 13.1 Draw primary triads for the given major key signatures. Below the staff, label the key a ...

As with figured bass symbols for triads, these symbols may be shortened; they will measure the interval of the bass note to the ...

WORKBOOK: MODULE 13 Exercise 13.4 Harmonize the following song by writing triads on the bass staff. Use the roman numerals writt ...

Theory Trainer Exercise 15dIdentify dominant seventh inversions. Harmonizing Music in Major Keys Using Inverted Dominant Seventh ...

WORKBOOK: MODULE 13 NAME: Exercise 13.5 Identify the minor key. Draw the primary triads for the harmonic minor form and label wi ...

Notice: The subdominant (IV) and dominant (V) are inverted to create a smooth voice leading between the chords. The V6/5 adds t ...

WORKBOOK: MODULE 13 Exercise 13.8 Harmonize “Erster Verlust” (“First Sorrow”) by Robert Schumann using the roman numerals writte ...