Music Fundamentals A Balanced Approach

Your instructor will play a chord progression: tonic–dominant–tonic. Below, check whether the second chord is a triad or a seven ...

343 Defining Inversions: Root Position, First Inversion, and Second Inversion We have been discussing triads in their simplest f ...

The dominant seventh in D major has a C#because of the key signature. The dominant seventh in D minor has a C#because of the rai ...

Infirst inversion,the third of the triad is the bass note (bass = bottom). Insecond inversion,the fifth is the bass note. Exer ...

WORKBOOK – MODULE 15 Name Exercise 15.1 Write root position dominant seventh chords in the following majorkeys. Identify the key ...

Exercise 2—Class Exercise Identify the root (letter name) of the triad, quality, and the inversion (root, first, second). Chord ...

WORKBOOK: MODULE 15 Exercise 15.3 Harmonize the following melody with triads or dominant seventh chords using the figured bass s ...

Theory Trainer Exercise 14aIdentify root, quality, and triad inversions. Exercise 3 Draw inverted triads using the letter name, ...

WORKBOOK: MODULE 15 NAME: Exercise 15.5 Write dominant seventh chords in the following majorkeys using the roman numerals and fi ...

“Tico, Tico No Fuba” (“Bird in the Cornmeal”) (Words and music Z. Abreu, A. Oliveira, E. Drake) 347 INVERSIONS OF TRIADS “Tico, ...

WORKBOOK: MODULE 15 Exercise 15.8—Class Exercise The melody “That’s All” has been harmonized below with C major triads and seven ...

TRACK 92 Listen to “Tico, Tico No Fuba.” Pay particular attention to the inverted triads that you have circled. Exercise 4 Circl ...

WORKBOOK: MODULE 15 NAME: Exercise 15.10 Label the key and analyze the following piece by giving roman numerals and figured bass ...

WORKBOOK: MODULE 15 Exercise 15.12 Using the given chord symbols, harmonize the following melody. (Note: use the harmonic minor ...

In previous modules, we studied the basic components of music: melody (pitch), rhythm (meter), and harmony. These aspects of mus ...

MODULE 16 390 Listen to the Mozart excerpt, noticing that: Beginning with an anacrusis (“pick up”) note and ending in measure 4 ...

“Georgia on My Mind” (words by S. Gorrell, music by H. Carmichael) “Cielito Lindo” (Q. Mendoza y Cortés) Cadences: Authentic, ...

Notice: In a major key, the authentic cadence is V–I. In a minor key, the authentic cadence is V–i. In E minor the raised seven ...

Notice that: This melody forms a period; the first phrase is an antecedent phrase and the second is the consequent phrase. Not ...

Theory Trainer Exercise 16aCadence drawing. Half Cadence In a half cadence, aphrase ends with a dominant chord, which is usually ...