Music Fundamentals A Balanced Approach

Consequent phrase ii6 I6 V7 I 4 Authentic Cadence Notice that: This melody consists of two dissimilar phrases that form a contr ...

French Folk Song Triads in Open and Close Position Triads may be written in two different positions: closeor open. Close posi ...

Rondo (W.A. Mozart) Theory Trainer Exercise 16aCadence drawing. Plagal Cadence Plagal cadencesare used less frequently as final ...

Exercise 6—Class Exercise Listen to Track 93 or ask your instructor to play “Folk Song (with Open Triads)” by Ryan Dorin. Then l ...

TRACK 102 Listening: “Good King Wenceslas,” traditional hymn Exercise 6—Class Exercise The ending of the hymn “Good King Wencesl ...

Exercise 8 Return to Exercise 6 on page 350 (“Folk Song”) and draw the bass staff triads in close position. Below, identify the ...

TRACK 103 Listening: Two Part Invention in D minor, BWV 775 (J.S. Bach) Exercise 7—Class Exercise Listen to Track 103 or your in ...

Trio Sonata in F major (A. Corelli) 6 6 5 6 5 6 7 6 7 6 7 5 6 n 4 3 n 5 Constructing and Identifying Triads Using Figured Bass S ...

blues. These forms divide into sections, each of which will each be given identifying letter names like “A” and “B.” Binary Form ...

These symbols may be reduced even further as follows. Here, the root of the triad is F. In root position, the figured bass is l ...

Notice that: The Minuet has double bars and repeat signs that separate the two sections. The A section begins in C major and mo ...

Exercise 11 Draw triads using the letter name and figured bass symbol given below the staff. Use accidentals as needed. Example ...

32-Bar Form (AABA) The 32-bar form,so-called because of the number of measures (bars) in the song, is an AABA pattern. It is one ...

Chord symbol: FM Gm Am BbM CM Dm E ̊ FM Roman numeral: I ii iii IV V vi vii ̊ I The position of a triad is determined by the lo ...

Exercise 10—Class Exercise Sing “Over the Rainbow” by Harold Arlen. “Over the Rainbow” (H. Arlen) Notice that: Each section is ...

Exercise 12—Class Exercise Using the given roman numerals and figured bass symbols in the following keys, draw chord progression ...

The repetition of the lyrics and the melodic line contributes to the division of the song into the sections A A BA. Consider ho ...

4. 357 INVERSIONS OF TRIADS Workbook Exercises 14.12 and 14.13 ...

“St. Louis Blues” (W. Handy) Repeat Signs Exercise 12—Class Exercise Sing the following songs, observing the repeat signs. “O T ...

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