Music Fundamentals A Balanced Approach

Theory Trainer Exercise 15dIdentify dominant seventh inversions. Harmonizing Music in Major Keys Using Inverted Dominant Seventh ...

APPENDIX 2 ACOUSTICS Acoustics(from the Greek verb akouoor “to hear” or “to listen”) is a branch of science that studies sound. ...

Notice: The subdominant (IV) and dominant (V) are inverted to create a smooth voice leading between the chords. The V6/5 adds t ...

Volume (Intensity) When a sound is created, air molecules are set in motion, resulting in vibrations; the higher the frequency o ...

Your instructor will play a chord progression: tonic–dominant–tonic. Below, check whether the second chord is a triad or a seven ...

APPENDIX 3 C CLEFS (ALTO AND TENOR) Beginning in the Middle Ages, C clefs, in addition to F and G clefs, were used. Today, music ...

The dominant seventh in D major has a C#because of the key signature. The dominant seventh in D minor has a C#because of the rai ...

Exercise 2 Draw the following treble clefnotes as the same pitch in the alto clefusing ledger linesas needed. Exercise 3 Draw th ...

WORKBOOK – MODULE 15 Name Exercise 15.1 Write root position dominant seventh chords in the following majorkeys. Identify the key ...

APPENDIX 4 MODES The music of Europe from the Middle Ages to the end of the Renaissance (from the Fall of Rome in 476 to around ...

WORKBOOK: MODULE 15 Exercise 15.3 Harmonize the following melody with triads or dominant seventh chords using the figured bass s ...

Lydian mode has half steps between 4-5 and 7-8. Mixolydian mode has half steps between 3-4 and 6-7. Aeolian mode (presently the ...

WORKBOOK: MODULE 15 NAME: Exercise 15.5 Write dominant seventh chords in the following majorkeys using the roman numerals and fi ...

Exercise 1 Following are two examples of Gregorian chant from the 11th – 13th centuries. In these examples, the first and last p ...

WORKBOOK: MODULE 15 Exercise 15.8—Class Exercise The melody “That’s All” has been harmonized below with C major triads and seven ...

Exercise 2 Many folk songs are modal; frequently, composers wrote melodies based on folk song or dance elements. Identify the mo ...

WORKBOOK: MODULE 15 NAME: Exercise 15.10 Label the key and analyze the following piece by giving roman numerals and figured bass ...

Mazurka, Op. 24, No. 2 (F. Chopin) (Originally written an octave higher.) Transposing Modes Modes originally were sung without ...

WORKBOOK: MODULE 15 Exercise 15.12 Using the given chord symbols, harmonize the following melody. (Note: use the harmonic minor ...

GPhyrgian mode The Mixolydian mode has half steps between 3 – 4 and 6 – 7. To transpose the Mixolydian mode from G to F, two fla ...