WORKBOOK: MODULE 9
NAME:Exercise 9.3
Identify the relative major key for the following minor scales.
- F minor 6. F#minor 11. Abminor _____
- D#minor 7. Ebminor 12. E minor _____
- G minor 8. B minor 13. A#minor _____
- Bbminor 9. G#minor 14. D minor _____
- A minor 10. C minor 15. C#minor _____
Exercise 9.4
Identify the relative minor key for the following major keys.
- G major 6. E major 11. Dbmajor _____
- Ebmajor 7. A major 12. C major _____
- F#major 8. F major 13. Gbmajor _____
- Abmajor 9. Cbmajor 14. C#major _____
- Bbmajor 10. D major 15. B major _____
Exercise 9.5
Complete the minor Circle of Fifths (opposite). Draw the key signature for each key. Remember that there are
three pairs of enharmonic keys.
Exercise 9.6
Using accidentalsdraw the three forms of the following minor scales. Indicate half steps. After the bar line,
draw the key signature. Example:
Cnatural (pure) minor (relative is E flat major) C harmonic minor—Raise the seventh note of the scale.
Cmelodic minor—Ascending: Raise the sixth and seventh notes. Descending: Lower the sixth and seventh notes.
- D minor (Use accidentals. At the end of each line, draw the key signature.) Notice that sharps and flats may
be used together in the harmonic and melodic forms of the scale, but not in the key signature.
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