Music from the Earliest Notations to the Sixteenth Century
The first phrase of the melody is quoted quite literally from the chant, even in terms of its rhythm. The ...
sound together for the first time at the cadence. All of these effects, so carefully and subtly planned, ...
stanza, poised as it is between the chordal and the canonic, is a little miracle of textural balance and a locus ...
But meaning is never entirely inherent. It is also relational. The textural intricacy of the climactic stanza ...
PARODIES And for that he was supremely valued by the humanist musicians of the sixteenth century, who were in ...
FIG. 14-4 Ludwig Sennfl, drawn by Hans Schwarz in 1519. A single excerpt, the final prayer (Ex. 14-7; ...
Whether or not Févin and Josquin enjoyed a personal relationship, Glareanus accurately described their musical re ...
imitated by the altus and then by the superius, while the bassus enters at the lower fifth, providing a ha ...
The “Christe” appears to begin with a new point woven out of the “gratia plena” motive, but it is actually t ...
chords as autonomous harmonic units that may be described and crafted individually. The theorist devotes much ...
facts were known (or at least believed), and also fit in with, and supported, an inventive and intellectual ...
by Aaron and practiced by Josquin, meant “the emancipation of the composer from the cantus firmus techn ...
commitment to it is exposed as prejudice, no longer fitting facts but only a predefined notion of a Zeitgeist. ...
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What happens now if we accept the date that Thomas Noblitt’s physical evidence (specifically, the watermar ...
motets” identified in chapter 13 with Galeazzo Maria Sforza, the brother of Ascanio Sforza, Josquin’s sometime pa ...
CHAPTER 15 A Perfected Art SIXTEENTH-CENTURY CHURCH MUSIC; NEW INSTRUMENTAL GENRES In this splendid, noble a ...
FIG. 15-1 Raphael (Raffaelo Santi or Sanzio, 1483–1520), Alba Madonna, ca. 1510. The outstanding codifier of ...
FIG. 15-2 Gioseffo Zarlino, anonymous portrait at the Civico Museo Bibliografico Musicale, Bologna. The ...
six. So a harmony that would embody all the superparticular ratios between 1 and 6 would be a perfect harm ...
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