Music from the Earliest Notations to the Sixteenth Century
Peri’s musical plays were hatched in Corsi’s incubator, La Dafne possibly as early as 1594. Its first perfor ...
emphasis on the dialogue-music as opposed to the song-and-dance music, and the greater concomitant emphasis on musi ...
EX. 19-8 Jacopo Peri, La Dafne: “Qual’ nova meraviglia!” If the music has to be so minimal why have it at ...
The Dafne recitative is a tame one; there is no expressive dissonance to speak of. The ones in Euridice ...
EX. 19-9B Jacopo Peri, Euridice, Orfeo’s closing monologue ...
The bass once again moves to accommodate the E, which becomes the cadence harmony. The third section begins wi ...
intermedii: to cajole the audience and laud the nuptial pair. La Tragedia herself appears before the assembled ...
The sacra rappresentazione or sacred play with music had a long history, even if we do not attempt ...
distinguished history in the seventeenth and eighteenth centuries, and is not wholly extinct even today. ...
Notes INTRODUCTION 1 Francis Bacon, Of the Dignity and Advancement of Learning, trans. James Spedder, in The Works ...
2 Paris, 1961, trans. Rollo Myers as 40,000 Years of Music (New York: Farrar, Straus & Giroux, 1964 ...
3 Robert Walser, “Eruptions: Heavy Metal Appropriations of Classical Virtuosity,” Popular Music, II (1992): 265. ...
4 Most relevantly for our present purposes in his Distinction: A Social Critique of the Judgement of Tast ...
5 Pieter C. van den Toorn, Music, Politics, and the Academy (Berkeley and Los Angeles: University of California ...
6 Mark Evan Bonds, A History of Music in Western Culture (Upper Saddle River, N.J: Prentice Hall, 2003 ...
7 Carl Dahlhaus, Foundations of Music History, trans. J. Brad for d Robinson (Cambridge: Cambridge Univ ...
8 David Hackett Fischer, Historians’ Fallacies: Toward a Logic of Historical Thought (New York: Harper Torc ...
9 See Anne C. Shreffler, “Berlin Walls: Dahlhaus, Knepler, and Ideologies of Music History,” Journal of Musi ...
10 See James M. Hepokoski, “The Dahlhaus Project and Its Extra-Musicological Sources,” Nineteenth-Century Music ...
11 It was a book review by the British sociologist Peter Martin that put me on to Becker’s work: “Over ...
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