Music from the Earliest Notations to the Sixteenth Century
CHAPTER 3: RETHEORIZING MUSIC 1 Scolica enchiriadis, in Martin Gerbert, ed., De cantu et musica sacra, ...
2 The informal distinction proposed here between music and Musica follows Hendrik van der Werf’s longstanding ...
3 See Richard Crocker, “Hermann’s Major Sixth,” Journal of the American Musicological Society XXV (1972): 19–37. ...
CHAPTER 4: MUSIC OF FEUDALISM AND FIN’ AMORS 1 St. Basil, The Letters, Vol. IV, trans. Roy J. Deferrari (L ...
2 James McKinnon, “The Church Fathers and Musical Instruments” (Ph.D. diss., Columbia University, 1965), p. ...
3 H. J. Chaytor, The Troubadours (London, 1912), pp. 38–9. ...
4 This lovely analogy was suggested in conversation by Imanuel Willheim of the University of Hartford. ...
CHAPTER 5: POLYPHONY IN PRACTICE AND THEORY 1 Giraldus Cambrensis, Descriptio Cambriae, trans. adapted from t ...
2 Haggh wrote up her discovery in “The Celebration of the ‘Recollectio Festorum Beatae Mariae Virginis,’ ...
3 Claude Debussy, letter to Igor Stravinsky of 18 August 1913, facsimile and transcription in Avec Stra ...
4 Ring Lardner, The Young Immigrunts (1920). ...
5 Carl Parrish, The Notation of Medieval Music (New York: Norton, 1959), p. 65. ...
6 Leo Treitler, “The Polyphony of St. Martial,” Journal of the American Musicological Society XVII (1964): ...
7 Treitler, “The Polyphony of St. Martial,” p. 38. ...
CHAPTER 6: NOTRE DAME DE PARIS 1 In Russian, vnutrislogovaya raspevnost’; see Izaly Zemtsovsky, Russkaya pr ...
2 Eudes de Sully, Contra facientes festum fatuorum, in Jacques Paul Migne, ed., Patrologiae cursus completu ...
3 See C. Wright: “Leoninus: Poet and Musician,” JAMS XXXIX (1986): 1–35. ...
4 See Anna Maria Busse Berger, “Mnemotechnics and Notre Dame Polyphony,” Journal of Musicology XIV (1996): 263– ...
5 Wright, “Leoninus: Poet and Musician,” p. 19. ...
6 John of Afflighem (a.k.a. John of Cotton), De Musica, trans. Warren Babb, in Hucbald, Guido and John ...
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