Music from the Earliest Notations to the Sixteenth Century
19 For a study of this in-between genre see J. Peter Burkholder, “Johannes Martini and the Imitation Mass ...
20 Edward E. Lowinsky, “The Concept of Physical and Musical Space in the Renaissance,” Papers of the American ...
21 E. Lowinsky, “On the Use of Scores by Sixteenth-Century Musicians,” JAMS I (1948): 21 (rpt. in Music in ...
22 T. Noblitt, “Die Datierung der Handschrift Mus. Ms. 3154 der Staatsbibliothek Munchen,” Die Musikforschu ...
23 Jeremy Noble, “Josquin Desprez,” in The New Grove Dictionary of Music and Musicians, Vol. IX (London: ...
24 Lowinsky, “The Concept of Physical and Musical Space in the Renaissance,” in Music in the Culture of the ...
25 The point was made first by T. Elizabeth Cason in an unpublished paper (“The Dating of MS Munich 3154 ...
CHAPTER 15: A PERFECTED ART 1 Giovanni Santi, Cronaca rimata (1490), l.424–26. ...
2 The Columbia Encyclopedia, s.v. “Raphael” (6th ed., New York: Columbia University Press, 2001). ...
3 Gioseffo Zarlino, Istitutione harmoniche (Venice, 1558), Vol. I, Proemio; quoted in Jessie Ann Owens, ...
4 Zarlino, The Art of Counterpoint (Istitutione harmoniche, Vol. III), trans. G. Marco and C. Palisca (New ...
5 Zarlino, On the Modes (Istitutione harmoniche, Vol. IV), trans. V. Cohen (New Haven: Yale Universi ...
6 Zarlino, On the Modes, p. 104. ...
7 Zarlino, The Art of Counterpoint, p. 70. ...
8 Pierre de Ronsard, Livre des mélanges, in Ronsard, Oeuvres complètes, ed. P. Laumonier (Paris, 1914–19), ...
9 Glareanus, Dodekachordon (Basel, 1547), p. 450. ...
10 Hermann Finck, Practica musica ... exempla variorum signorum, proportionum et canonum, iudicium de toni ...
11 Joseph Kerman, “On William Byrd’s Emendemus in melius,” Musical Quarterly XLIX (1963): 435. ...
12 Edward Lowinsky, Secret Chromatic Art in the Netherlands Motet (New York: Columbia University Press, 1946 ...
13 Zarlino, The Art of Counterpoint, p. 151. ...
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