Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1
Meier,  Bernhard.   The Modes   of  Classical   Vocal   Polyphony,  trans.  Ellen   S.  Beebe.  New York:   Broude
Bros., 1988.
Owens, Jessie Ann. Composers at Work: The Craft of Musical Composition, 1450–1600. Oxford:
Clarendon Press, 1996.
Slim, H. Colin. Musica Nova. Chicago: University of Chicago Press, 1964.
Stevens, Denis. Tudor Church Music. New York: Merlin Press, 1955; Reprint, New York: Norton, 1966.
Warren, Edward B. Life and Works of Robert Fayrfax, 1464–1521. Rome: American Institute of
Musicology, 1969.
Wulstan, David. Tudor Music. Iowa City: University of Iowa Press, 1986.
Zarlino, Gioseffo. The Art of Counterpoint, trans. Guy A. Marco and Claude V. Palisca. New Haven:
Yale University Press, 1968.

Chapter 16 The End of Perfection


Andrews,    H.  K.  Technique   of  Byrd’s  Vocal   Polyphony.  London: Oxford  University  Press,  1964.
Brown, Alan, and Richard Turbet. Byrd Studies. Cambridge: Cambridge University Press, 1992.
Doe, Paul. Tallis. London: Oxford University Press, 1968.
Fellowes, Edmund H. William Byrd. London: Oxford University Press, 1948.
Holst, Imogen. Byrd. London: Faber and Faber, 1972.
Jeppesen, Knud. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century, trans. Glen
Haydon. New York: Prentice-Hall, 1939; Reprint, New York: Dover, 1992.
———. The Style of Palestrina and the Dissonance. Oxford: Oxford University Press, 1927.
Kerman, Joseph. The Masses and Motets of William Byrd. Berkeley and Los Angeles: University of
California Press, 1981.
Le Huray, Peter. Music and the Reformation in England: 1549–1660. New York: Oxford University
Press, 1967.
Lockwood, Lewis. The Counter Reformation and the Masses of Vincenzo Ruffo. Vienna: Universal
Edition, 1970.
———. Palestrina: Pope Marcellus Mass. New York: Norton, 1975.
Phillips, Peter. English Sacred Music: 1549–1649. Oxford: Gimell, 1991.
Roche, Jerome. Palestrina. Oxford: Oxford University Press, 1971.
Stevenson, Robert. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles: University
of California Press, 1961.
Temperley, Nicholas. The Music of the English Parish Church. Cambridge: Cambridge University
Press, 1979.
Woodfill, Walter. Musicians in English Society from Elizabeth to Charles I. Rev. ed., Princeton:
Princeton University Press, 1969.

Chapter 17 Commercial and Literary Music

Free download pdf