Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

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———. Monteverdi Madrigals. London: British Broadcasting Corporation, 1967.


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———. Wilbye. London: Oxford University Press, 1974.


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Cuyler, Louise. The Emperor Maximilian I and Music. London: Oxford University Press, 1973.


Einstein, Alfred. The Italian Madrigal. Three vols., trans. Alexander H. Kruppe, Roger H. Sessions, and
Oliver Strunk. Princeton: Princeton University Press, 1949; Reprint, 1971.


Feldman, Martha. City Culture and the Madrigal at Venice. Berkeley and Los Angeles: University of
California Press, 1995.


Fenlon, Iain. Music and Patronage in Sixteenth-Century Mantua. Two vols. Cambridge: Cambridge
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Haar, James. Essays on Italian Poetry and Music in the Renaissance, 1350–1600. Berkeley and Los
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Haar, James, ed. Chanson and Madrigal, 1480–1530. Cambridge: Harvard University Press, 1964.


Heartz, Daniel. Pierre Attaingnant, Royal Printer of Music. Berkeley and Los Angeles: University of
California Press, 1969.


Kerman, Joseph. The Elizabethan Madrigal: A Comparative Study. New York: American Musicological
Society, 1962.


Lesure, François. Musicians and Poets of the French Renaissance, trans. Elia Gianturco and Hans
Rosenwald. New York: Merlin Press, 1955.


Lewis, Mary S. Antonio Gardano, Venetian Music Printer, 1538–1569: A Descriptive Bibliography and
Historical Study. New York: Garland Publishing, 1988.


Lowinsky, Edward. Tonality and Atonality in Sixteenth-Century Music. Berkeley and Los Angeles:
University of California Press, 1962.


MacClintock, Carol. Giaches de Wert (1535–1596): Life and Works. Rome: American Institute of
Musicology, 1966.


Maniates, Maria Rika. Mannerism in Italian Music and Culture, 1530–1630. Durham: Duke University
Press, 1979.


Morley, Thomas. A Plain and Easy Introduction to Practical Music, ed. R. Alec Harman. New York:
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