Music from the Earliest Notations to the Sixteenth Century

Italy   and,     699

Josquin and,     550 ,   755

Lasso   and,     721 ,   722

Lutheran    church  music   and,     755 ,   756 ,   769

madrigalism vs.,     724 ,   725 ,   727 ,   733 ,   735

metrical    psalms  contrasted  with,    599

motet   and,     607 ,   641

Palestrina  and,     630 ,   632 –33,    652 ,   655 ,   663 ,   667 ,   713

Reformation hostility   to,  754

as  stile   antico,  831

as  utopian,     629

Willaert    and,     601 –11

written historical  record  of,  617

ars poetica, 290

ars subtilior, 338 –48, 341

centers of,  342 –46

English composers   and,     409 ,   410 ,   424

notational  signs   and,     338 ,   339 –42,    345 ,   355 –56

Art de Dictier et de Fere Chançons (Deschamps), 337

Art et instruction de bien dancer, L’ (Michel de Toulouze), 621

art history, 382 –83, 382 , 429 , 585 , 641 , 653

Baroque and,     797

mannerism   and,     733

Arthurian legend, 119

artisan class, 368

See also    guilds

Artis canendi (Heyden), 550

artistic creation,

alternative views   of,  66

anachronism and,     143 –44

Ars Nova    and,     267 –70,    337

ars perfecta    and,     585 –628,   629 –30

artificial  conceptual  subdivisions    and,     380 –85

avant-garde and,     326 –27

commodification of,  542 ,   549

consciousness   of  style   in,  267 ,   270

convention  and,     359 ,   363 –64

difficult   vs. accessible  works   and,     115 –16,    120 ,   226 ,   228 ,   326 –27,    459 –60