Music from the Earliest Notations to the Sixteenth Century

Aucun/Lonc tans (Petrus), 238 –41, 241

Audefroi le Bastart, 119 –20, 120

audible music. See musical sound

audience,

opera’s “two    musics” and,     827

virtuoso    performance effects on,  616 –17

Audite nova (Lasso), 717 –18

Augenmusik (eye-music), 778 –79, 801

augmented fourth, 40 , 152

augmented second, 275

Augustine, Saint, 11 , 25 , 39 , 47 , 66 , 70 , 90 , 172 , 433 , 613 , 646 , 755

definition  of  music   by,  69 –70

music   treatise    of,  69 –70,     175 ,   337

Augustinians, 179 , 539

A un giro sol (Monteverdi), 733 –34, 735 , 736 , 747

aural conditioning, 471 –72, 739

aural learning. See oral tradition,

Aurelian of Réôme, 76 , 77

authentic modal form, 74 , 76

authentic performance, 782

autonomous art,

criterion   for,     65 –66

earliest    instrumental    music   and,     541

“loner” artist  concept and,     144

as  written,     104

Autre   jour,   L’  (French double  motet),  222 –24,    222 ,   229

Autrier jost’ una serbissa, L’ (Marcabru), 113

avante-garde, 326 –27

Ave Maria (Compère pastiche), 523 –26, 583

Ave Maria (Josquin), 606 , 686

Ave Maria ... Virgo serena (Josquin), 565 –73, 577 –84

dating  of,  578 –80,    583 –84

emblematic  status  of,  565 ,   577 –78,    588 ,   602 –3

text    of,  565 –66

Ave Maria ... Virgo serena (Sennfl), 572 –73, 588 , 704

Ave maris stella (Frankish hymn), 48 , 49 , 83

Du  Fay fauxbourdon setting of,  441 ,   442 –43,    446

Ave Regina coelorum (Du Fay), 507 –12, 574