Music from the Earliest Notations to the Sixteenth Century

spoken  dialogue    and,     827

commercialism. See mercantile economy,

commercial music. See concerts; music publishing

commixed mode (commixtus), definition of, 83

commonplace book, 553

Communion, 686

antiphon,    433 –35

in  Mass    ordo,    61

See also    Eucharist

Como, Perry, 817

Compendium musices (Coclico), 552 –53

Compère, Loyset, 459 , 523 –26, 535

Ave Maria,   523 –26,    583

competitions. See song competitions,

Compline, 12 , 94 , 407 , 677

composers, 64 –67

academic    style   and,     608 –11

ars subtilior   and,     342 –49

career  periodization   of,  381

centonized  chants  and,     28

cyclic  Masses  and,     472 –500

earliest    with    unbroken    performance record,  667

emulation   by,  474 –75,    484 ,   486 ,   493 ,   497 –98,    499

first   concerted   specifications  by,  782

first   orchestration   by,  782

fourteenth-century  technical   competition for,     337 –42

imitation   vs. emulation   and,     474 –75

mode    as  guide   to,  80 –86

performance separated   from,    65 ,    299

polyphony   and,     148 –68,    301

stylistic   changes and,     245 ,   247 –48

subtilitas  (subtlety)  and,     327 –42

of  troubadour  songs,   110

written music   and,     104 ,   456

See also    artistic    creation;   specific    names

composite, 151

Compostela manuscript, 162 , 171

concert. See concerts