Music from the Earliest Notations to the Sixteenth Century

concertato. See concerto,

concerted music, 780 –96

intermedii,  803 ,   804

liturgical,  788 –90,    794 –95

madrigal,    817

Concerti ecclesiastici a otto voci (Banchieri), 780

concerto,

Gabrielis   and,     780 –86

original    meaning of,  780 –81

Concerto (Monteverdi),

concerts,

cyclic  Mass    Ordinary    performances    in,  496

Gregorian   chant   revivals    at,  66

Venetian    cathedral   services    as  earliest,    789

Conductor, oral transmission by, 18

conductus, 131 , 162 , 165 , 166 –67, 233 , 296

British,     387 ,   397 –99,    403 ,   404 –5,     406

characteristics of,  198 –99,    311 ,   314

end of,  214

motet   and,     209 –11,    219

Notre   Dame    school  and,     173 –74,    198 –205

versus  and,     94 ,    95 ,    111

Condulmer, Gabriele Cardinal. See Eugene IV, Pope,

Confessions (Augustine), 66

Confrérie des Jongleurs et des Bourgeois d’Arras, 120 , 139 , 142

Congaudeant catholici (Albertus), 165 –67, 166 , 172

Congregational Church, 27 , 28

congregational singing, 27 –28, 47 , 58 , 758 , 765

conjunct tetrachords, 151 –52

Conon de Béthune, 120

Conrad II, Holy Roman Emperor, 86

consonance, 153 , 297 –98, 397 , 587

cadence and,     468 –69,    470 ,   587

culture-bound   criteria    of,  153

English harmony and,     407 ,   417 ,   423

Garlandia’s tripartite  division    of,  196 ,   394

harmonic    balancing   of,  153 ,   407