Music from the Earliest Notations to the Sixteenth Century

Couperin, Louis,

couples dance,   626

couplet,     39 ,    43 ,    44

canso   repeated,    113 ,   325

chace   (canon) and,     332 ,   333

courtly love poetry and song, 98 , 106 –45, 172 , 351 , 439

Bembo   publication and,     723

canon   and,     331 ,   333

conventions of,  108 –9,     111

Germany and,     701

Machaut redefinement    of,  291 –307,   333 –34

Song    of  Songs   antiphons   and,     429 –33,    632

See also    ballade;    canso;  chanson;    love    songs

court music,

ars subtilior   and,     342 –45

in  Burgundy,    439 –40,    484 –85,    535 ,   536

in  Cinchois,    448 –49

in  England,     671 ,   677

fifteenth-century,   424 ,   439 ,   447 ,   455 ,   458

in  Italian city-states,     277 –81

women   performers  and,     5

Coussemaker, Charles-Edmond-Henri de, 127 , 173

crafts guilds. See guilds

Craindre vous vueil (Du Fay), 444 –46, 510

Cranmer, Thomas, Archbishop of Canterbury, 672 , 675

creation myth, 175

creativity. See artistic creation

Credo, 54 , 310 , 311

Byrd    setting,     680 ,   684 ,   685 –86

Caput   Mass    and,     470 ,   482

French-Cypriot  setting,     345 –49

Gloria  pairing with,    311 ,   312 ,   313 ,   345 –49,    461

Machaut Mass    and,     325

in  Mass    ordo,    61

Missa   L’Homme Armé    and,     490 ,   495 ,   497 –98,    529 ,   530

Nicolaus    de  Radom   and,     348

Palestrina  Missa   O   magnum  mysterium   and,     646