Music from the Earliest Notations to the Sixteenth Century

folklore    and,     138

French  esthetics   and,     142

Minnesinger art and,     138 ,   139 ,   141

Germany,

absolute    music   concept and  541

artistic    purity  and,     141

Baroque and,     797

Carmina burana  and,     138

feudalism’s duration    in,  143

flagellants and,     134

folklore    and,     138

French  style   influences  in,  142

guild   poets   and,     118

humanism    and,     549 ,   550 ,   581

Lutheran    music   and,     758 –69

Luther’s     95

theses  and,     753

Meistersingers  and,     118 ,   139 –44

music   publishing  in,  550 –51,    691 –92,    701 ,   760 ,   762 ,   765

nationalism and,     138 ,   141

Nazis   and,     138

political   subdivisions    in,  141

Protestantism   and,     549 ,   753 –69

Tenorlied,   701 –6,     717 ,   756 ,   758 ,   760

trouvère    influence   in,  142

unification movement    in,  138 ,   141

vernacular  song    and,     134 –42,    351 ,   701 –6,     717

Gershom, Levi ben. See Gersonides,

Gersonides,  249

Gervais du Bus, 255 , 258

Gesualdo, Carlo, 738 –41, 751 , 773 , 818 , 819

modern  reputation  of,  738 –40

Moro,   lasso,   739 ,   740

Geystliches gesangk Buchelyn (Walther), 760 –61

Gherardello da Firenze, 365

Donna   l’altrui    mirar,   371 ,   372 –73

Tosto   che l’alba,  365 ,   371