modal classification of, 72 –76, 78
as monophonic, 47 , 120 , 148
motet and, 228 , 234 , 267 , 269 –71, 282 , 507 –8, 566 , 601 –2, 604 , 641
neumes and, 13 –16
nineteenth-century reediting of, 22
notation following practice in, 1 –2, 184
Notre Dame settings for, 171 –72
“Old Roman” variant of, 62 , 64
oral tradition of, 6 –12, 13 , 17 –20, 26 –29
origin of, 6 , 7 –9, 10 , 368
Palestrina revision of, 631
polyphony and, 147 , 148 , 149 –50, 156 , 162 –68, 171
as psalmodic, 13 , 23 –25, 47
repertory of, 21
repetition function in, 26 –27
resistance elements to, 63 –64
rhythmic indeterminacy and, 114 , 157
scale mapping, 101
Second Vatican Council decanonization of, 278
shared material, 28
tonal range of, 99
tropes and, 50 –53
troubadour melodies and, 111 , 114 , 131 , 136
unaccompanied unison style of, 47 , 130
See also psalms and psalmodyGregorius Praesul, 7
Gregory I (the Great), Pope, 5 –7, 6 , 47 , 58 , 63 , 79 , 175 , 368 , 452 , 548 , 631
Gregory II, Pope, 7
Gregory XI, Pope, 310
Gregory XIII, Pope, 631 , 675
Greiter, Matthias, 722
Grétry and, ré, 117 –18
Grillo, El (Josquin), 699 –701
Gritti, Andrea, 600
Grocheio, Johannes de, 207 –8, 211 , 219 , 221 , 226 , 229 , 233 , 236 , 262
Grosse Heidelberger Liederhandschrift, 141
Gross senen (J’ay pris amours), 540 –41