works of
DAVID melisma, 291 –92
De toutes flours, 303 –7, 308 –9, 371 , 373
Douce dame jolie, 295 , 298
En mon cuer, 296 –97, 298 , 299
Felix virgo/Inviolata/AD TE
SUSPIRAMUS, 270 –73, 291 , 301 , 302
Lai de confort, 332
Lai de la fonteinne, 332 –36
Lasse/se j’aime/POURQUOY, 292 , 293 –94, 298
Ma fin est mon commencement, 327 –30, 328
Messe de Nostre Dame, La, 307 , 317 –26
Remède de Fortune, Le, 290 , 297 , 299
Rose, liz, printemps, 302 , 303
Très bonne et belle, 301 –1 Voir Dit, Le, 297 , 299Machiavelli, Niccolò, 208
madrigal, 352 –64, 352 , 367 , 374 , 722 –41
ballata culture vs., 368
characteristics of, 813
chromaticism in, 724 –25, 729 –30, 732 , 734 , 738 , 739 , 751 , 785
as Counter-Reformation musical influence, 773 , 777 , 800
culture of, 354 –56, 368
distinctive poetic style of, 724
echo pieces, 792
emotional expression of, 723 –24
England and, 742 , 744 , 746 –51
experimentation and, 725 –26
French-Italian genre fusion and, 374
Galilei’s critique of, 800 –801
Gesualdo and, 738 –41 intermedii and, 804
as international craze, 723
Italian-born composers of, 728 –41, 740
Italian-English differences in, 750 , 751
mimesis and, 802
monody and, 813 –22, 823
Monteverdi and, 733 –38, 749 , 750
motet-style, 374 –77, 380