Mary of Burgundy, 455 , 457
Mary Stuart (Mary Queen of Scots), 675
Maschera, Florentio, 787
Mass, 8 , 10 , 12 –16, 53 –60, 171
Anglican, 672 –73
Avignon-style, 310 –14, 316
Bach (J. S.) setting of, 54
Beethoven setting of, 54
Byrd settings of, 679 –89
concerted, 780 , 788 –90
Council of Trent mandates for, 789
Du Fay setting of, 434 –35, 511 –12
English vs. continental styles in, 518
fifteenth-century characteristic cantus firmus for, 486 –90
fifteenth-century lofty setting of, 460 –500
Frankish mode theory and, 86
Frankish standardization of, 53 –60
French-Cypriot settings of, 345 –49
as functional music, 324
“intelligibility” movement and, 647 , 649 –53, 672
Josquin settings of, 499 , 555 –57, 560
jubilated singing and, 39 , 317 –26
Lutheranism and, 755 , 763 , 769
Machaut setting of, 307 , 316 , 317 –26, 460
Ockeghem setting of, 473 –81
origins of, 13
Palestrina settings of, 632 , 633 –63, 724
Parisian music books and, 171
parody works, 574 –76, 593 , 641 –44, 710 , 788 –89
Passion settings, 775 –77, 778 , 779
polychoral, 780
polyphonic elaborations and, 162 , 307 , 310 –16, 588 –89
Power setting of, 462
psalmody and, 23 –25
Requiem, 88 –90
Rhau setting of, 763
sequence and, 42