Music from the Earliest Notations to the Sixteenth Century

metrical psalms,

Clemens and,     597 –99

first   English-language    collection  of,  672

Geneva  Psalter and,     754 –55

metric foot, 180 , 191

metric system, 252 –53

Michelangelo, 719 , 719 , Michel de Toulouze, 621

Michelet, Jules, 382

Micrologus (Guido), 16 , 153 –54, 155 , 185

Middle Ages, 583

British monasticism and,     387 –88

church  plays,   52 ,    93 –94

flagellant  movement    and,     134

French  urbanization    and,     120

Gregorian   chant   and,     21

hymns   and,     47 –49

literate    secular repertory   and,     105 –45

modal   theory,  29 –35,     72 –104

motet   and,     208 –45

musical notation    and,     1

musical space   and,     577

music   treatises   and,     254

notation    and,     60

Notre   Dame    school  and,     171 –205

Renaissance outlook vs.,     382 ,   383 ,   586 ,   614 –15

sacred  parodies    and,     48

tropes  and,     50 –53

Middle C, 101 , 102

middle-class values,

personal    liberation  ideal   and,     579 –80

middle style, 459 –60, 461 , 462

low-style   convergence with,    528 –29

motet   as,  501 –46

Mielichy, Hans, 714

“Mighty Fortress Is Our God, A” (Luther), 760 , 761

Mikolaj z Radomia. See Nicolaus de Radom

Milan,

court   chapel,  459