motetti missales, 518 –26, 530 –31, 583 , 584
motivic development, 555 , 614
motto, 535 , 572
paraphrase, 501 , 503
Mout me fu grief/Robin m’aime (French motet), 233
Mouton, Jean, 555 , 589 , 602 , 603 , 632 , 786
Mozarabic chant, 63 –64
Mozart, Wolfgang Amadeus, Mass setting of, 54
Muhammad II (the Conquerer), Ottoman Sultan, 484
Munich, 572
Lasso in, 713 , 714 , 717
Musae Jovis (Gombert), 589
Musae sioniae (Praetorius), 765 –66, 767 –68
Musée Condé (Chantilly), 342
Muses, 804
Musica, 69 –76, 148 , 248 , 552
cosmology of, 70 –71, 71
illuminated manuscript, 71 , 71
late classical texts on, 69 –72
Missa L’Homme Armé unity and, 495 –96
music differentiated from, 71 , 495 –96
Musica (Hermann), 99
musica cum littera, 199 –205. See also motet
Musica dei donum (Clemens), 709 , 710
Musica disciplina (Aurelian), 76
Musica enchiriadis (Frankish treatise), 17 , 44 , 45 , 46 , 47
polyphony and, 148 , 149 , 151 –52, 153 , 154 , 435
musica falsa. See musica ficta,
musica ficta, 273 –76, 291 , 293 , 343 , 512 , 596 , 597 , 628 . See also chromaticism
musica humana, 70 , 71
musica instrumentalis (audible music), 70 , 71
Musical Angels (d’Alessandro), 267
musical entertainments. See also concert
musical expression,
affective style and, 738
madrigal and, 724 –51, 815 , 816 , 821
principle of “objective,” 798
rhetorical embellishment and, 816 –17, 821