Renaissance periodization and, 281 , 380 –85, 471 , 483
retrospective advantage in, 689 , 739
stylistic evolution and, 245
Sumer is icumen in significance in, 387 –88, 388 , 389
tonality and, 471
written music’s importance to, 1music lovers, earliest literate, 542
music notation. See notation,
musicology, 173
British twentieth-century, 403
Garlandia classification and, 197
genetic fallacy and, 221
Grocheio’s social theory and, 207 –8
pre-thirteenth-century verse-music rhythmic style and, 114
trecento repertory rediscovery and, 383
See also music analysis; music historiographymusic publishing, 691 –94
as bibliophile collectible, 693
canzona and, 787
Christmas carols and, 420
commodification of music through, 542 , 691 , 694 , 713 , 746 , 754 , 782
cross-fertilization and, 65 , 550 –51, 694
in England, 678 , 679 , 692 , 694 , 741 , 746
in France, 692 , 694 , 706 , 708 , 710
in Germany, 550 –51, 691 –92, 701 , 760 , 762 , 765
instrumental method books and, 620 –21
in Italy, 499 –500, 542 –43, 544 , 691 , 693 , 722 , 781 , 790 –92
Josquin and, 499 , 500 , 542 , 549 , 550 , 559 , 560 –61
Lasso and, 713 –14, 717
Lutheran chorales and, 760 , 762 , 763 , 765 –66
madrigals and, 723 , 724 , 728 , 733 , 741 , 744 , 746 , 817 –18
meterical psalms and, 597 –98
monodic “revolution” and, 809 , 812 –22
movable music type’s impact on, 692 –93, 692
“nuove musiche” and, 812 –22
organ bass books and, 780 , 781 –82
organ chanson arrangements and, 786 –87