Music from the Earliest Notations to the Sixteenth Century

Notre Dame codices, 171 –86, 209 , 209 –11, 210 , 211 , 212 , 217

Notre Dame de Paris, 169 –205

Albertus    as  cantor  of,  165 ,   172

construction    of,  120 ,   169

interior    of,  170

liturgical  music   composition and,     89 ,    171 –86,    646 ,   679

Mass    setting for,     310

Ockeghem    as  cantor  of,  455

University  of  Paris   and,     170 ,   172 ,   174 ,   175 ,   196

Notre Dame school, 171 –205, 212 , 214 , 217 , 291 , 347

conductus   settings    of,  173 –74,    198 –205

English motet   and,     513 –14

English students    and,     397 ,   403

first   measured    Western music   from,    184

four    codices of,  177 ,   179 ,   180 ,   181 –83,    184 ,   186

Perotin vs. Leonin  generation  and,     186 –87

polyphonic  organum cum alio    and,     186 –205

polyphonic  organum duplum  and,     171 –86

rhythmic    practices   of,  175 –86,    214 ,   215

noumenal music, 827

Nouveaus des amoureus, Les (Machaut), 289

Nova, nova, ave fit ex Eva (carol), 420

“Now is the month of Maying” (Morley), 746 , 747 –48

Noyers, Jean de. See Tapisier,

nuba (nawba), 108

Nu is du Betfart so here (Geisslerlied), 134

Numbers, Book of, 399

number-sound relationship, 38 , 41 –42

number symbolism, 284 –85

Nuove musiche, Le (Caccini), 812 –13, 816 , 821 , 823

preface to,  816 –17

Nuper rosarum flores (Du Fay), 282 –85, 429 , 441 , 507

Nuremberg, 728 , 765

Lochamer    Liederbuch  and,     701

master  singers,     139

O

objectivity, musical representation and, 798