meters of, 5 , 175 , 191 , 197
motet and, 218 –19, 255 –60, 742
music’s relationship with, 337 , 550 , 738
music’s separated from, 351
prosodic accents and, 14
recitation formulas for, 697 , 698
rhyme patterns of, 43 , 89
roundeau form, 122 –24
troubadours and trouvères and, 98 –99, 107 –45, 351
vernacular, 3 , 99 , 106 –7, 351 –85, 459
Pöhlmann, Egert, 33 , 34
point shape (punctum), 131 , 214
Poitou, Duchy of, 106
Poland, 728
ars subtilior and, 346 –49
partitions of, 347
Policraticus (John of Salisbury), 172
political thought,
artistic expression and, 653 , 673
artistic style judgments and, 145
English Civil War and Restoration and, 132
medieval allegiances and, 141 –42
motet as satirizing, 255 –69
motet as vehicle for, 277 –81
politics of patronage. See patronage,
Poliziano, Angelo, 823
polychoral style, 776 –82, 791
polymeter, 337 –38
polyphony, 145 , 147 –68
accelerated development of, 148 , 149
Adam de la Halle works and, 122 , 123 , 142 , 291
ancient origins of, 147
Anglican “stripped down,” 672
Aquitanian monastic centers and, 156 –62
Byrd and, 670 , 679 , 680
cadential progression and, 276 –77
Calvinist church service ban on, 755