Music from the Earliest Notations to the Sixteenth Century

prosula, prosulation, 39 –43, 57 , 59 –60, 60

Kyries,  307 ,   310

motet   and,     209 –12,    219 ,   259

See also    sequence

Protestantism,

economic    factors and,     753 –54

in  England,     670 –75

in  France,  754

in  Germany,     549

grace   and,     552

literal textuality  and,     553

liturgical  music   and,     754 –69

nationalism and,     754 ,   765

printing    industry    and,     754

reform  doctrine    of,  765

Protestant work ethic, 765

protus, authentic and plagal, 74 , 75 , 76 , 79

Provençal, 98 , 107 , 108 , 109 , 111 –13, 116 , 117 , 118 , 128 , 270 , 351 , 352 , 399

“Psallite regi” (prefatory trope), 51 –52, 82 –83

Psalm, 46 , 760

Psalm, 71 , 598 –99

Psalm, 91 , 20 , 21 , 23

Psalm, 117 , 26

Psalm, 118 , 554 , 756

Psalm, 138 , 51

Psalm, 150 , 7 –8

Psalmes, sonets and Songs of sadness and pietie (Byrd), 741

psalms and psalmody, 8 –10, 12 , 20 –29, 33 , 42

Anglican    liturgy and,     672

antiphonal,  8 ,     11 ,    23 ,    611

antiphon    pairing with,    20 –21,     72 –76,     78 ,    83

as  art-prose,   39

Calvinism   and,     754 –55

Clemens and,     597 –99

concerted,   789

hymnody vs.,     48 ,    50

imagery and,     91