Music from the Earliest Notations to the Sixteenth Century

quarter tone, 33

quaternaria, 176

quatrain, 44 , 352

Quem quaeritis in sepulchro (Easter dialogue trope), 53 , 83

Quem terra pontus aethera (Gaspar), 521 –22, 583

Quem vere pia laus (Hucbald trope), 80

Qui consolabatur me recessit a me (Clemens), 594 –97, 599

Quintilian, 550

quodlibet (grab-bag), 233 –35, 239

R

Rabelais, François, 711

radical humanism, 689 , 797 –834

Galilei and,     799 –803

mimesis and,     786 ,   802

nondiatonic modes   and,     730 –31    See also    favole  in  musica

Radom (Poland), 346 –49

Raggionamenti accademici (Bartoli), 641

Raimbaut d’Aurenga (Linhaure), 115 –16, 226

Raimon de Miraval, 98 –99

Raising of Lazarus (verse plays), 93

Rameau, Jean-Philippe,

Baroque and,     797

Hippolyte   et  Aricie,  797

range-deployment. See tessitura

Raphael (Raffaello Santi), 585 , 585

Rapimento de Cefalo, Il (musical play), 813 , 831

Rappresentatione di Anima, et di Corpo (Cavalieri), 809 , 811 , 812 , 823 , 831 , 832 –34

rationalism, 614 , 615

Counter Reformation vs.,     771

ratios, 69 , 70 , 284 , 410 , 587

Ravenna, 2 , 64

Reading Abbey, 387

“Reading Rota,”, 388 , 391 , 392

realism, Renaissance and, 382 , 383

reality, music and, 37

reason, scholastic tradition and, 90

Recercada segunda (Ortiz), 627 –28