Music from the Earliest Notations to the Sixteenth Century

recercadas/recercars. See ricercare,

Recercare de tous biens (composition), 606

recitar cantando, 826

recitative, 809 , 812 , 823

aria    pairing with,    25

Dafne   and,     828 ,   829 ,   831

Euridice    and,     829 ,   830

recitativo. See recitative,

Recollection des Fêtes de Notre Dame, La, 566

recorder, 620

recordings, 65

Re d’Espagna, Il (bassadanza), 621 , 622 –25

red-inked notes, 262 , 265 , 266 , 269 , 337 , 340 –41, 341 , 410

refined love. See fin’ amors,

Reformation, 689 , 753 –69

attitudes   toward  music   and,     754 –58

in  England,     387 ,   402 –3,     502 ,   513 ,   518 ,   670 –79,    680 ,   686 ,   753

factors leading to,  315

in  Germany,     548 ,   552 ,   660 ,   697 ,   755 –69

Meisterlieder   and,     140

underlying  factors of,  753 –54

vernacular-language psalm   settings    and,     597 –98

See also    Anglican    Church; Lutheran    Church; Protestantism

Reformed churches, 754 –58

refrain,

ballate,     366 –67,    368 ,   397 ,   694 –95

bergerette,  526

carole  (carol),     419 ,   420

falala  nonsense,    746

motet   and,     220 –21,    234

narrative   with,    120 ,   129

rondeau,     122 –23,    124 ,   220 –21,    227

stanza  insertion   within,  221

villanella,  716

See also    antiphons

Regina caeli, laetare (Marian antiphon), 96 –98, 102 , 389 , 392 , 509

Regino of Prüm, 72 , 73