Music from the Earliest Notations to the Sixteenth Century

(Marvins-Underground-K-12) #1

Regis, Johannes, 458


Regnum tuam solidum permanebit in aeternam (trope), 56 –57


Regola rubertina (Ganassi), 620 , 698


regressive traits, 381


Regulae rhythmicae (Guido), 185


Regula monachorum (Benedict), 10 –11


Regularis concordia of 973


(monastic   code),   93

Regule de proportionibus (compendium), 536


Reichenau abbey (Switzerland), 71 , 99


reification, 65


Reims, 289 , 316 , 317 , 325


Reims Cathedral, 317


Reinach, Théodore, 33


Reis glorios (Guiraut), 110 –11


religious ecstasy, 772


Remède de Fortune, Le (Machaut), 290 , 297 , 299


“Remember Thy word unto Thy servant.” See Memor esto verbi tui servo tuo (Josquin)


re mode, 102


Renaissance, 551 , 576 , 696


ars perfecta    and,     585 –628,   797
first historiographical use of terms, 382
genius idea and, 552
Glareanus and, 554
irony of musical, 797
issue of musical, 281 , 380 –85, 429 , 471 , 483 , 547
Josquin and, 554 , 577 –84
medieval outlook vs., 614 –15
musical space and, 577
radical humanism and, 689
secular-sacred fusion and, 533
trecento and beginnings of, 382
visual arts and, 382 –83, 382 , 641

René, King of Sicily and Duke of Anjou, 558


repetition,


Binchois    motet   and,     456
Mass Ordinary and, 311 , 317 , 324 , 325
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