Music from the Earliest Notations to the Sixteenth Century

interval    exemplifier,     100 –101

key signature   and,     76

major-minor tonality    and,     99 ,    101 ,   394 ,   553 –54

medieval    modal,   74 –76

middle  C   and,     101 ,   102

mode    concept and,     28 –29,     76 ,    553 –54

modern  tonal   system  and,     628

perfect parallel    counterpoint    and,     151 –52

transposition   of,  76

Scandinavia,

as  British musical influence,   392 –94,    403

twinsong    and,     392

See also    Norway; Vikings

Schauffler, Robert, 579

Schöffer, Peter, 691 , 701

schola, 58

scholasticism, 90 , 196 –98, 459 , 753

Schönfelder, Jörg, 701

Von edler   Art,     702 ,   703 ,   704

Schopenhauer, Arthur, 653

Schwarz, Hans, 572

science,

Galilean,    797

sixteenth   century,     586 –87

Scivias (Hildegard), 91

Scolica enchiriadis (commentary), 149 , 150 , 152 , 154 , 185 , 782 –83

Score, first use of, 578

Scotland, 393

Scotto brothers, 600 –601

seconda prattica, 831

Seconde Musiche (Saracini), 821 , 821

Secondo libro di recercari, Il (Buus), 618 –19

Second Vatican Council, 63 , 278

secularism,

Early   Modern  period  and,     797 –98

liturgical  music   and,     66 –67,     99 ,    111 –12

printing    industry    and,     754

Renaissance,     382